A sexually repressed woman’s husband is having an affair with her sister. The arrival of a visitor with a rather unusual fetish changes everything.
You May Also Like
West Point graduate lieutenant Jeff Knight meets cynicism when taking command of sergeant Michael McNamara’s tour veterans platoon in a Vietnamese trench camp. Unlike his predecessor, who hid till the end of his tour, Jeff takes charge, experiences the manual doesn’t allow coping with all realities and gets wounded. He returns, now fully respect by men and superiors. Besides the Vietcong, the platoon wrestles with the inscrutable villagers, which the G.I.’s officially protect, but also fear as some collaborate with them, other covertly with the Cong, either way subject to bloody reprisals.
Archer champion Lauren Pierce escapes a corrupt juvenile correctional facility with Rebecca, a fierce but alluring inmate. Together they must survive a desperate warden who is bow-hunting his prey to make sure his secret stays buried
Henry Brogen, an aging assassin tries to get out of the business but finds himself in the ultimate battle: fighting his own clone who is 25 years younger than him and at the peak of his abilities.
Peter Fonda plays ‘Heavenly Blues’, the leader of Hell’s Angels chapter from Venice, California while Bruce Dern plays ‘Loser’, his best pal. When they both botch their attempt to retrieve Loser’s stolen bike, Loser ends up in the hospital. When the Angels bust him out, he dies, and they bury him. Nancy Sinatra plays Mike, Blues’ “old lady” and Diane Ladd plays Loser’s wife (Dern’s real-life wife at the time). The plot is basically a buildup to the last half-hour of the film in which Loser’s funeral becomes another wild party.
A woman’s panicked decision to cover up an accidental killing spins out of control when her conscience demands she return the dead man’s body to his family.
Every choice has a consequence. But what if the flip of a coin could trigger two separate but parallel destinies? Bobby (Joseph Gordon-Levitt) and Kate (Lynn Collins) are a young New York couple at a crossroads whose lives are about to take very different directions. A seemingly ordinary July 4th is cleaved in two by the flip of a coin. One path leads them to gentle discoveries about family, loss and each other on a visit to Brooklyn, and the other plunges them into an urban nightmare of pursuit, suspense and murder in Manhattan.
The strangest thing about this story is that it’s true. In 1952, Argentina’s beloved First Lady, Eva Perón, died of cancer at the age of thirty-three. A renowned embalmer was commissioned by the grieving Juan Perón to preserve her body for display, and Argentines flocked to be near “Evita.” Three years later, when his government was overthrown by a military coup, Perón fled the country before he could make arrangements for the transportation of his wife’s body. The military junta now in control kidnapped the corpse; so afraid were they of Eva’s symbolic power that they even made it illegal to utter her name. Thus began the two-decade journey of Eva’s body throughout Europe and eventually back to Argentina.
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, Libby, also has a talent for dancing and adds her to his act. Harley, the theater patron who never knew Libby took his gold cigarette case, is impressed by Libby’s dancing and invites her to bring Charles and the other buskers in his group to an after-the-play party. Libby comes alone. A theatrical career is launched.
Love is the Word is a moving, romantic and funny coming-of-age drama about the magic of first love and the misery of first lost, set in 1978: the year ‘Grease’ hit the big screen.
