In a remote Icelandic town, an off duty police chief begins to suspect a local man to have had an affair with his wife, who has recently died in a car accident. Gradually his obsession for finding out the truth accumulates and inevitably begins to endanger himself and his loved ones. A story of grief, revenge and unconditional love.

It’s South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it’s Spud Milton’s first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager’s worst nightmare, whether it’s shopping for Spud’s underwear in the local supermarket

Erotic movies that Riko challenged to a bold Nudity & Bedside scene with gravure talent, a number one in the model · Describe the complicated feelings of the loyalty that can not be sex with a boy who is a girlfriend who really likes it.

Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

Conflict-avoidant Thomas just wants a relaxing holiday in the Swiss Alps. But, it’s a slippery slope from the beginning. In an effort to repair his own family ties and to impress his boss, he takes his family and his employer’s daughter with him. Tragedy strikes and Thomas feels responsible. Should he be his typical passive self? Or risk doing the right thing at the expense of his relationships with his family and employer?

A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble’s son. As the plague and warfare cut a swathe of destruction throughout the land, the mercenaries hole up in a castle and await their fate.

Alone on a tiny deserted island, Hank has given up all hope of ever making it home again. But one day everything changes when a dead body washes ashore, and he soon realizes it may be his last opportunity to escape certain death. Armed with his new “friend” and an unusual bag of tricks, the duo go on an epic adventure to bring Hank back to the woman of his dreams.

When Clara discovers her deceased mother’s revered ‘Book of Dark Whispers’, she can’t stop reading the strange stories within its mystical pages. Each weird tale reveals a new facet of the twisted human psyche… or the not-so-human, as the case may be. From the horror of grief to sharehouse living disaster, from existential dread to right-swiping vampires, there’s something for all tastes; as long as those tastes are twisted!

Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? “Masking Threshold” combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.

Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.

Precocious young Harriet (Evan Rachel Wood) lives with her much older sister, Gwen (Mary Stuart Masterson), at a New Hampshire motel owned by their mother (Cathy Moriarty), and dreams of a life beyond her neglectful family and stultifying town. When Ricky (Kevin Bacon), a mentally disabled man, stays at the motel, Harriet finds him to be kinder and more interesting than anyone she has ever known before. After tragedy strikes, Harriet and Ricky cling to each other ever more tightly.

In a summer they won’t forget, two broke college students start filming parties for money. Hello dollar signs. Goodbye morals. Welcome to the night club scene.