Landfill is a documentary that emerged from the perception of a paradox in relation to litter. While most people want to get rid of it, I met some ladies, pioneers of recycling, that they miss the trash from others in side of the house. From the time where I met up making the film, many things happened, both in the media, with all the newly fallacious discourse of sustainability, and in my personal relationship with the trash, when I became the ‘householder. ‘ This is a film of these seven women, who are truly experts.

American Addict 2 delves deeper into the world of corruption, politics and pharmaceutical greed.

Framed against the backdrop of Arsenal’s historic “Invincible” season of 2003-04, the first and only occasion a team has gone an entire Premier League campaign without defeat, the film sees Wenger reflect candidly on his revolutionary era at Arsenal and the emotional and personal turmoil that surrounded his controversial exit after 22 years.

Renowned documentary filmmaker D.A. Pennebaker captures Otis Redding in his ascendancy, singing at the historic Monterey International Pop Festival in June 1967. Comedian Tom Smothers introduces Redding to a crowd that is leaving — until Redding grabs them with his charged rendition of “Shake.” Redding’s performance also includes “Respect” (which he wrote), “I’ve Been Loving You Too Long,” “Satisfaction,” and “Try a Little Tenderness.” Tragically, Redding died in a plane crash six months later. An innovative filmmaker who started in the 1950s making experimental films, Pennebaker garnered an Oscar nomination for Best Documentary Feature in 1993 for The War Room, his behind-the-scenes look at Bill Clinton’s 1992 campaign. His other subjects have included Norman Mailer, Bob Dylan, and David Bowie.

A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.

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Hollywood collides with a group of veterans who are tired of the typical PTSD and valor-portrayed movies and decide to make an original dark humor zombie apocalypse film all on their own.

In this provocative documentary, worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy consider the impact of technological advances on the two certainties of human life: work and death. Charting human developments from early man, past the Industrial Revolution, to the digital age and beyond, THE FUTURE OF WORK AND DEATH looks at the astonishing exponential rate at which mankind creates technologies to ease the process of living. As we embark on the next phase of our ‘advancement’ with automation and artificial intelligence driving the transformation from man to machine, the film gives a shockingly realistic look into the future of human life.

Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.

The film tells the story of Mauricio Fernandez, mayor of the wealthiest municipality in Latin America, located in the North of Mexico. He presents himself as a polemical figure who takes justice into his own hands in order to “clean” his municipality of the drug cartels’ presence. Mauricio is a key character to better understand the present situation in Mexico and through the unusual views of this politician, the audience will be a privileged witnesses of an scenario where political tasks and excessive violence mingle with one another.

Further explores some of the world’s most remote mountain terrain while continuing Jones’ mission to camp deep in the backcountry and on the summits of unridden lines to access nearly vertical spines and wide-open powder fields.

Craig Ferguson unleashes his trademark stream-of-consciousness comedy before a sold-out crowd, riffing on fatherhood, Helen of Troy and shark penises. His show’s not safe for kids — or the easily offended.