This day-in-the-life cult comedy focuses on a group of friends working at Sully Boyar’s Car Wash in the Los Angeles ghetto. The team meets dozens of eccentric customers — including a smooth-talking preacher, a wacky cab driver and an ex-convict — while cracking politically incorrect jokes to a constant soundtrack of disco and funk. Some of the workers find romance as the day moves along, but most are just happy to get through another shift.

Kristie Simmons, an attorney, initiates a legal battle trying to get approval for a bike lane for the local residents. When Bill, a local veterinarian, informs her that a dog named Gidget needs a home, Kristie agrees. While out walking Gidget, Kristie meets Keith Amos, an attorney on assignment from Seattle, while he’s walking his lovable dog, Simon. Keith is immediately smitten with Kristie, her initially pleasant reaction to him turns sour when she learns he is her opposing counsel in the bike lane case.

Gwyneth Paltrow plays London publicist Helen, effortlessly sliding between parallel storylines that show what happens if she does or does not catch a train back to her apartment. Love. Romantic entanglements. Deception. Trust. Friendship. Comedy. All come into focus as the two stories shift back and forth, overlap and surprisingly converge.

The Seminarian is a story about Ryan, a closeted gay student in his final semester of seminary studies. Despite his school’s hostile stance towards homosexuality, Ryan has two gay classmates – Gerald and Anthony – in whom he secretly confides. He is also close to his religiously devout mother who, as things stand, is unaware of his sexual orientation. Ryan needs to complete a solid theological thesis in order to continue doctoral work at the university of his dreams. As he works on his thesis ‘The Divine Gift of Love,’ Ryan begins a relationship with Bradley – a guy he has met on the Internet who seems perpetually unable to commit himself. Ryan confides in Gerald and Anthony, only to learn about their romantic struggles as well. Consequently, Ryan questions his views on God’s gift of love.

The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

When a young teen marries the Prince of Cleves, more than twice her age, she automatically becomes an official Princess and takes her new position to heart. Although distracted by the elite entertainments found at court, the princess cannot help but mourn her impossible love for the dashing Duc de Nemours.

A struggling musician moves in with his gay best friend in order to restart his life only to find himself falling in love with their lesbian roommate.

Two mismatched personal trainers’ lives are upended by the actions of a new, wealthy client.

A basketball star is booted out of the NBA when his on-court antics go too far, so he poses as a woman and joins the WUBA.

Set one year after the drama series “Moteki.” 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn’t have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences “moteki” – a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.

When the grim reaper comes to collect the soul of megamogul Bill Parrish, he arrives with a proposition: Host him for a “vacation” among the living in trade for a few more days of existence. Parrish agrees, and using the pseudonym Joe Black, Death begins taking part in Parrish’s daily agenda and falls in love with the man’s daughter. Yet when Black’s holiday is over, so is Parrish’s life.

There are three stories of women and men: in “A Time for Love” set in 1966, a soldier searches for a young woman he met one afternoon playing pool; “A Time for Freedom,” set in a bordello in 1911, revolves around a singer’s longing to escape her surroundings; in “A Time for Youth” set in 2005 Taipei, a triangle in which a singer has an affair with a photographer while her partner suffers is dramatized. In the first two stories, letters are crucial to the outcome; in the third, it’s cell-phone calls, text messages, and a computer file. Over the years between the tales, as sexual intimacy becomes more likely and words more free, communication recedes.