Lila a college student discovers a latent ability to see into the past. When a professor hires her for some psychological tests she becomes the target of the killer of the woman she sees in her dreams.
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Sympathetic look loosely based on the relationship between tobacco heiress, Doris Duke (1912-1993) – think Duke University – and her shy butler, Bernard Lafferty. The icy and mercurial Duke fires her butler for serving a chilled cantaloupe; the agency sends Lafferty, formerly household staff to Liz Taylor and to Peggy Lee. He’s an alcoholic, fresh out of rehab. He gradually becomes Duke’s gay alter ego as she romps through life sleeping with young men, making shrewd decisions quickly, managing her fortune and orchids as Lafferty manages her New Jersey estate. With a wine cellar to die for, Bernard falls off the wagon. Can he pull himself together when Doris needs him?
Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.
When Jeff and his friend rescue a young beautiful woman (Kelly Preston) from an apparently abusive boyfriend, the trouble starts. Jeff unknowing becomes involved with Miranda (Kelly) and the web of intrigue that follows her. Miranda is on the run from the witches coven (to which she belongs). Miranda tells Jeff of her situation, but not the entire truth. Jeff willingly helps Miranda out of her troubles, but creates his own.
The Assassination Bureau has existed for decades (perhaps centuries) until Diana Rigg begins to investigate it. The high moral standing of the Bureau (only killing those who deserve it) is called into question by her. She puts out a contract for the Bureau to assassinate its leader on the eve of World War I.
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In a Sydney suburb, two nurses, Maria and Flora, a housekeeper, Lotte, and a solicitor, Arnold, attend to Elizabeth Hunter as her expatriate son Sir Basil, a famous but struggling actor in London, and daughter Dorothy, a divorced and down at heel princess, convene at her deathbed. They come to make sure they can leave Australia with their hefty inheritance.
After a financial apocalypse a young girl must protect her older sister as they wander a desert searching for a new home.
An assassin hunts and tortures his old predecessor in the basement of his European home, only to reveal the lies and corruption of their international hitman agency by taking a journey through the manipulations of the old man’s past.
The wife of a wealthy industrialist finds herself caught-up in a web of intrigue & murder which was created by her own deceit. When she tries to escape the results of her actions, she too falls victim to deception.
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