Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
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As a construction manager, drinking is more of a normality for Mark than not drinking. In addition to his work on construction sites, during business dinners and sprawling Berlin party nights, there is always a reason for him to fully indulge in alcohol intoxication. When he tries to drive his car out of a no-parking zone in a drunken stupor one night, he is promptly checked and immediately loses his driver’s license. For Mark, this is reason enough to make a bet with his best friend Nadim: He wants to manage not to touch any alcohol until he has his driver’s license again.
Athletes who have struggled for acceptance due to race, religion, sexual orientation, and other prejudices, endure conflict in their quest to level the playing field.
Antoine is a musician. The forties, he suddenly decides to end his career. After a few days of wandering, he gets a job as a janitor. Mathilde lives in the old building in the east of Paris where he takes office. This is a young retiree, generous and involved, who divides his time between his associational activities and the life of the condominium. One night, she discovers a disturbing crack on the wall of his living room. Gradually, his anxiety grew to turn into panic and if the building collapsed … Slowly, Antoine befriends the woman he feared to see slip into madness. Between slips and concerns, both form an awkward tandem, humorous and solidarity which will, perhaps, through this bad patch.
A smug executive enjoys the perfect life – until he loses his job, and finds himself working at a burger joint. Now he’s falling behind on his bills, and if something doesn’t change soon, his family could lose everything by Christmas.
Following a worldwide event known as The Reset, humanity rebuilds a society with aging mechanics where gleaming technology once stood. Surveillance now the status quo, society is slowly putting its shattered pieces back together under a watchful eye. After a friend’s suicide leaves behind a mysterious computer drive, a young computer prodigy and a shadowy hacker join together to decipher the clues that he’s left behind. The youthful creators of Jackrabbit have successfully constructed a world, which we haven’t previously seen on film. Mixing retro production design with slick storytelling, they deliver a cinematic dissonance that will result in a shock to the senses.
Coming Through the Rye, set in 1969, is a touching coming of age story of sensitive, 16 year old Jamie Schwartz, who is not the most popular kid at his all boys’ boarding school. Disconnected from students and teachers, he believes he is destined to play Holden Caulfield, the main character of The Catcher in the Rye, and has adapted the book as a play.
James Arness rides again as Matt Dillon, the US Marshal he made popular in the 1955-75 TV series. In this movie he goes after a renegade Apache named Wolf (Joe Lara) who has taken his daughter captive. As a bargaining chip, Dillon helps two sons of Apache chief Geronimo out of the fort stockade and offers them in trade. Dillon is aided by an Army scout, Chalk Brighton (Kiley). Written by John Sacksteder
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