Cursed by mischievous deities with a sleep-inducing kiss, Sangui sets out on a journey to find a cure and his long-lost love in Liu Siyi’s debut feature, a distinctive, whimsical and romantic fantasy.

Hoffa floats ashore in Estonia after his stolen getaway boat has exploded. He tries to begin a new life in Estonia, but the longing for his family back home becomes too big and he decides to get back to Sweden. Now a tough struggle begins to get himself home to the family, a family that has moved on with their lives and also thinks that he’s dead. A past as a bank robber and a fugitive is not making the journey easier. Along the way back to Sweden more problems arise that makes it even harder for him to meet his family again. Meantime back in Sweden his family is struggling with difficulties which they don’t know how to solve. The time is running out and things don’t look good at all.

In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who’s girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin’s loving and accepting spirit teach and ennoble her family?

Two suicidal teenagers, Conrad and Michelle, turn to each other for support, communicating via text messages. But when Conrad expresses his desire to end his life, instead of trying to stop him as she had previously, Michelle encourages Conrad to take his life, even providing him suggestions on how to do it.

An attractive young woman has been called on to help rid a haunted family of its demons – the male heirs all die young, and one is now in a coma – she has to clear the environment where several exorcists have failed before her.

Dr. Syd has a good practice in the big city but a bad day when her terminal patient finally passes away. Her surgeon boyfriend, who has been sarcastically nick named “Mr. Personality” and “Settle For” by Syd’s best friend (Nurse Brenda), takes this opportunity to offer support and destroys it by telling Syd dying is part of life and she’d be a better doctor if she stayed more remote from her patients and, oh, by the way, “can I come over tonight”? He is surprised when she says “not tonight.” Brenda tells Syd to get away for a few days and suggests Syd change her mind and go back to her small hometown for her school reunion.

After a brief courtship, Julianne marries her handsome boyfriend, Mitch. To celebrate their honeymoon, the couple travel to a remote cabin on a small island. When they arrive, however, Mitch becomes aggressive and physically abusive, and Julianne soon realizes he’s not the ideal husband she once thought he was. Knowing that Mitch doesn’t plan on ever letting her leave the island, Julianne, who is afraid of water, must find a way to escape.

A gay gym teacher wants to be a father and when his boyfriend’s sister, a former addict, comes back on the scene there is now a possible solution.

On the brink of separation, Ethan and Sophie escape to a beautiful vacation house for a weekend getaway in an attempt to save their marriage. What begins as a romantic and fun retreat soon becomes surreal, when an unexpected discovery forces the two to examine themselves, their relationship, and their future.

Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink in ‘the Bathtub’, a southern Delta community at the edge of the world. Wink’s tough love prepares her for the unraveling of the universe – for a time when he’s no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack – temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink’s health fading, Hushpuppy goes in search of her lost mother.

The pit has spoken. Dawai, the potter of a backwoods community, has crafted a face on a ceramic jug of the person that the pit wants sacrificed. Ada, pregnant with her brother’s child, has seen her face on the jug and hides it in the woods, determined to save the life of her unborn. If she does not sacrifice herself however, the creature from the pit will kill everyone in the village until she does.

In 1987, during the austere days of Thatcher’s Britain, a teenager learns to live life, understand his family, and find his own voice through the music of Bruce Springsteen.