Bosco is the son of a minister arrested for corruption, misappropriation of public funds, money laundering and a lot more of economic crimes. Selfie is about the story of him since he’s kicked out of his luxurious chalet until he tries to get a job at the headquarters of a left-wing political party.
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A visit to a natural history museum proves catastrophic for two high school rivals, an overachiever and a jock, when an ancient Aztec statue casts a spell that causes them to switch bodies and see exactly what it’s like to walk in the other’s shoes.
Comedian Pete Holmes delivers a feel-good stand-up set on his awkward post-prostate exam hug, a devilish Midwest meeting and his mom’s voicemail glitches.
A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend’s father’s pocketwatch.
Hoping to fix their dysfunctional marriage, a couple travels to an isolated mountain cabin to work out their problems – but the one problem they didn’t anticipate is the maniac trying to kill them.
Inspired by the terrifying story of Robert ‘Willy’ Pickton, the pig farmer cum prolific lady killer whose horrific crimes shocked the world, PIG KILLER graphically depicts the rape, torture, slaughter and dismemberment of forty-nine young women on a pig farm. With his herculean hog, Balthazar, by his side, Willy and his menagerie of colorful cohorts terrorize Vancouver’s seedy downtown until his arrest which uncovered a horrific series of brutal Canadian murders.
Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor’s later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.