In 1818, Mary Shelley wrote “Frankenstein; or, The Modern Prometheus,” a powerful and timelessness novel which eternal theme is nothing other than man’s quest for the secret of life. Since then, the Creature became a pop culture icon, overshadowing the novel and Doctor Frankenstein himself.

James Lavelle played his first DJ set at 14, launched pioneering record label Mo’Wax at 18 and released the genre defining UNKLE album Psyence Fiction at 22. His phenomenally rapid rise seemed limitless, but it’s only when you’re going so fast that the wheels fall off. The Man from Mo’Wax tells the remarkable story of one of the most enigmatic yet influential figures in contemporary British culture. Unearthed from over 700 hours of footage including exclusive personal archive spanning three decades, we get the rare opportunity to watch a boy become a man in the world of music. The result is an exhilarating, no holds-barred ride into the life of an extraordinary man and an equally extraordinary era, taking in some decidedly flawed decision-making (both personal and professional), Lavelle emerges as an innovative artist who thinks big and consistently overcomes adversity.

It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…

An estimated 15 million Brits are currently looking for a partner online. Thanks to the internet and social media, the whole world is now open for love. From Thai romance tours to speed-dating in the Ukraine, will they find ‘the one’? And having parted with thousands of pounds, can they really put a price on love?

Filmmaker Lawrence Shapiro discusses voice-over acting with the talented people behind the characters.

Michael Winterbottom, celebrated director of 24 Hour Party People, The Road to Guantanamo, and The Trip, joins forces with actor, comedian, and provocateur Russell Brand for that most unlikely of documentary approaches: an uproarious critique of the world financial crisis. Building on Brand’s emergence as an activist following his 2014 book Revolution, where he railed against “corporate tyranny, ecological irresponsibility, and economic inequality,” The Emperor’s New Clothes pairs archival footage with comedic send-ups conducted in the financial centers of London and New York. Brand spotlights not only how the crisis affected the working class around the world, but also how the uber-wealthy benefited from the downturn. With Winterbottom providing his signature ingenuity and pinpoint directorial control, they generate a riveting, boisterous, and, at times, cathartic riff on the extreme disparities between the haves and have nots in contemporary society.

2014 marked the 40th Anniversary of KANSAS! The classic lineup reunited, for the first time in more than 30 years, to relive the incredible, untold story of one of the most successful American rock bands. The Feature film includes in-depth interviews with all 6 original members along with Brian May (Queen), David Wild (Rolling Stone), Garth Brooks, and many more! Here how “Dust in the Wind” was just a passing comment away from never being recorded and how “free beer” changed their lives forever!

It’s 1994: a 13-year-old boy disappears from his home in San Antonio, Texas. Three and a half years later, he is found alive, thousands of miles away, in Spain. Disoriented and quivering with fear, he divulges his shocking story of kidnap and torture. His family is overjoyed to bring him home. But all is not what it seems. Sure, he has the same tattoos, but he looks decidedly different, and he now speaks with a strange accent. Why doesn’t the family seem to notice these glaring inconsistencies? It’s only when an investigator starts asking questions that this astounding true story takes an even stranger turn.

North Korea. The last communist country in the world. Unknown, hermetic and fascinating. Formerly known as “The Hermit Kingdom” for its attempts to remain isolated, North Korea is one of the largest source of instability as regards world peace. It also has the most militarized border in the world, and the flow of impartial information, both going in and out, is practically non-existent. As the recent Sony-leaks has shown, it is the perfect setting for a propaganda war.

Unfolding over 18 monumental days in August 2021, this deeply immersive and emotional documentary combines never-before-seen archival footage from those on the ground at the airport with exclusive interviews with people who were there throughout the period, including Afghan citizens attempting to flee, U.S. Marines tasked with managing the evacuation, and Taliban commanders and fighters who had recently taken the city.

This documentary chronicles David Beckham and his friends’ unforgettable journey deep into the heart of the Amazon rainforest in Brazil. Travelling by motorbike and boat, and guided by locals, he visits far-flung communities and tribes that live in this remote landscape.

What does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.