Marriage counseling becomes a dangerous endeavor when pregnant Lisa is forced to do rigorous bonding activities in the wilderness with her emotionally distant husband.
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Minnesota, 1990. Detective Bruce Kenner investigates the case of young Angela, who accuses her father, John Gray, of an unspeakable crime. When John unexpectedly and without recollection admits guilt, renowned psychologist Dr. Raines is brought in to help him relive his memories and what they discover unmasks a horrifying nationwide mystery.
When two teenagers make prank phone calls to strangers, they become the target for terror when they whisper “I Saw What You Did, And I Know Who You Are!” to psychopath Steve Marek who has just murdered his wife. But somebody else knows of the terrible crime that was committed that night, the killer’s desperately amorous neighbor Amy Nelson.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family’s killers free. He targets not only the killer but also the district attorney and others involved in the deal.
Ten-year-old Nico receives a threatening letter and now his life is in danger. No one seems to believe him except one person that he doesn’t know.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
Garan is a part of a group of international hitmen who are contracted to take out the most dangerous killer in the world, only to find out that they’re the ones being hunted.
After his girlfriend commits suicide, a man (Shinya Tsukamoto) becomes embroiled in gang warfare attempting to obtain a gun in hopes to kill himself.
A couple (Jian RenZi and Andrew Lin) who has been unsuccessfully trying to have a child for a few years, and decides to resort to an old Chinese fertility ritual, that of the “primer”: to temporarily adopt a child, who will open the way for their own progeny. They adopt a quiet 7-year-old girl (Wang Yifei) at an orphanage whose supervisors (Hui Shiu Hung and Pat Ha) are obviously not telling them everything. The adopted child is silent, asocial and constantly draws disturbingly dark pictures of her previous family. It doesn’t help that her new mother is beset with strange visions that threaten her sanity.
After 6 years of brutal murders the West Yorkshire Police fear that they may have already interviewed The Ripper and let him back into the world to continue his reign of terror upon the citizens of Yorkshire, but things become more difficult for the Police when they discover they not only have The Ripper to catch, but a copycat killer is also at large. Assistant Chief Constable of the Manchester Police, Peter Hunter, is called in to oversee the West Yorkshire Police’s Ripper investigation, with the help of John Nolan and Helen Marshall, both detectives from the Manchester Police, they decide to go back and look at the crime reports from the Rippers victims to see what they could have missed.
This film-noir piece, told in semi-documentary style, follows police on the hunt for a resourceful criminal who shoots and kills a cop.
Interior decorator Zuri Maxwell had it all – a career she adored, loving family and friends, and a good man in her life, artist Stephon Gardner. But greed threatens to destroy everything, when Zuri meets handsome benefactor and entrepreneur Godfrey Anderson and his fabulously wealthy aunt Miss Viv. They have everything Zuri thinks she wants. As Godfrey romances her, she compromises the values and morals that should guide her in an effort to be part of the moneyed world she so desperately wants to be part of.
In March 1933, Welsh journalist Gareth Jones travel to Ukraine, where he experiences at first hand the horrors of a famine. Everywhere he goes he meets henchmen of the Soviet secret service who are determined to prevent news about the catastrophe from getting out. Stalin’s forced collectivisation of agriculture has resulted in misery and ruin; the policy is tantamount to mass murder. Supported by Ada Brooks, a New York Times reporter, Jones succeeds in spreading the shocking news.
