When their rich uncle passes, his mansion of intricate puzzles becomes the backdrop for his estranged family’s quest to secure a portion of his wealth.

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Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

A teen model gets lured into New York City by an model agent to discover nothing is as it seems.

When upcoming Washington D.C. political strategist, Candace, is sent back to her Wyoming hometown to help the local mayoral candidate, she never expected to find her best friend’s brother, Derek, running for office! The second last thing she never expected was to fall for him!

Wake in Fright is the story of John Grant, a bonded teacher who arrives in the rough outback mining town of Bundanyabba planning to stay overnight before catching the plane to Sydney, but as one night stretches into several he plunges headlong into his own destruction.

A dark psychological thriller which follows a couple who find themselves in a hit and run situation, with the evidence suggesting there was no accident.

The story follows a student navigating high school life while living with paranoid schizophrenia and battling wild hallucinations. An experimental drug trial promises to help hide his illness from his peers and, most importantly, from the girl of his dreams.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

The picture opens in Krasnoyarsk, Siberia, in late 1988, when military trainees Petrovsky, Ryaba, Chugun, Stas, Pinochet, Lyutev and Vorobyev are whipped into shape at a training camp by the brutal, sadistic commander, Warrant Officer Dygalo – prior to being sent off to the front lines. After several one-by-one dalliances with the local whore, Snow White, and a cautionary lecture on the history, geography and culture of Afghanistan (which most of the men sleep through), the trainees head off to battle – first to the Bagram air base, then to the Afghani province of Khost to secure supply lines. But nothing can begin to prepare them for the brutal devastation into which they are plunged, or the relentless tide of slaughter that scatters thousands of Soviet victims in its wake.

Rear Defense action film from the point of view of German and Italian soldiers.

A Latvian tragicomedy about a young artist who bears witness to the dramatic political upheavals of the WWII era. As brutal regimes come and go, his country, his village, his people, and even his heart are swept up in the inexorable currents of history.