A secret organisation offers wealthy people a second chance at life. The customer picks out someone they want to be and the organisation surgically alters the customer to look like the intended person, stages the customer’s death, gets rid of the intended person and the customer takes on a new life.
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Mattilynn Dupree is back in her home town for her sister’s wedding, re-evaluating her life after missing out on the promotion she always wanted. She runs into an old friend, Jake, in her Dad’s auto mechanic shop and is given a reason to stay. But her ex-boyfriend comes to town to get her back, and her boss calls to lure her away with the promise of a better job, so she’s torn between the life she thought she always wanted and the one that she’s fallen in love with all over again.
A young man Kentaro Saeki (Haruma Miura) keeps failing his bar test and does not know what to do any more. His older sister Keiko is a freelance writer. Kentaro and Keiko begin to search for information on their grandfather Kyuzo Miyabe (Junichi Okada) who dead in the special forces during World War II. Their grandfather Kyuzo Miyabe was terrified of death and obsessed with life. Why did he join the special forces? According to his fellow navy soldiers, Kyuzo Miyabe was a genius and also a coward. Kentaro and Keiko then discovers the shocking truth which has been sealed for 60 years.
Detectives use clues from various recording devices to piece together events surrounding a massacre involving bus passengers at an abandoned gas station.
After a massive shootout, a mysterious stranger (Van Damme) arrives at a local hospital on the brink of death. Then, a foreign gang brazenly comes to the hospital to hunt him down. His nurse, the sole surviving witness to the follow-up shootout, must face an FBI interrogation that unlocks a plot of international intrigue and revenge. With enough twists and turns, KILL’EM ALL will keep you guessing until the final bullet is fired.
Upon his return from Vietnam, an ex-soldier finds his neighborhood has deteriorated badly, and is being terrorized by a vicious street gang. He calls some of his GI buddies, and together they hatch a plan to get rid of the gang.
Welcome to Pine Hill follows Shannon, a recently reformed drug dealer, now working as a claims adjuster by day and bouncer by night. When Shannon receives earth-shattering news, he is compelled to make peace with his past and search for freedom beyond the concrete jungle of New York City.
Tara and Maya are two inseparable friends in India. Their tastes, habits, and hobbies are the same. Years later, the two have matured, but have maintained their friendship. Tara gets married to the local prince, Raj Singh, who soon succeeds the throne as the sole heir. After the marriage, Raj gets bored of Tara and starts seeking another female to satisfy his sexual needs. He notices Maya and is instantly attracted to her. He has her included as one of his courtesans, and is intimate with her. Watch what happens when Tara finds out and the extent she will go to keep her marriage intact.
Prince Amleth is on the verge of becoming a man when his father is brutally murdered by his uncle, who kidnaps the boy’s mother. Two decades later, Amleth is now a Viking who’s on a mission to save his mother, kill his uncle and avenge his father.
A lost soul stumbles drunken through the city. In a park, Death finds him and shows him many things.
A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.
Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.