In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.
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Recalls the day when Holocaust survivors took their first steps into freedom, unaware of their future. Every Face Has a Name puts a name on those nameless faces and lets them recount their feelings of that day, the 28th of April, 1945.
Oobah Butler, a writer and filmmaker with a history of pulling elaborate pranks and gaming the system to advance his career, has his sights set on challenging Amazon.
A behind-the-scenes look at San Diego Comic-Con, the world’s largest comic book convention, and the fans who attend every year.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
Trauma to Triumph: Women details the traumatic stories of Cathy Hughes (Racism), Dana Donofree (Breast Cancer Survivor) and Maria Trusa (Sexual Assault Victim), showing how they used the power of entrepreneurship to overcome their demons.
Jack and Diane, two teenage girls, meet in New York City and spend the night kissing ferociously. Diane’s charming innocence quickly begins to open Jack’s tough skinned heart. But, when Jack discovers that Diane is leaving the country in a week she tries to push her away. Diane must struggle to keep their love alive while hiding the secret that her newly awakened sexual desire is giving her werewolf-like visions.
Seven strangers, each with a secret to bury, meet at Lake Tahoe’s El Royale, a rundown hotel with a dark past in 1969. Over the course of one fateful night, everyone will have a last shot at redemption.
Making-of documentary for Lucrecia Martel’s Zama. Tracks director Manuel Abramovich’s attempts to get Martel to let him film her in production.
The criminal underworld is buzzing with double-crosses, lies and greed as the prized jewel, The Eye of Amun-Ra, is passed around the city. Can our heroes find the diamond and could even their own fate be entwined with its mysterious curse. Which leaves the tantalizing question… who really should Beware the Eye of Amun-Ra?
Filmmaker Morley Markson shows Abbie Hoffman, Jerry Rubin, Allen Ginsberg, Timothy Leary, and other ’60s rebels, then and now in a follow up to his 1971 film “Breathing Together: Revolution of the Electric Family.”
An unvarnished chronicle of Bob Dylan’s metamorphosis from folk to rock musician via appearances at the Newport Folk Festival between 1963 and 1965.
Petey Wheatstraw (Rudy Ray Moore) is a candidate to become the devil’s son-in-law. The storyline is a scaffolding on which Rudy Ray Moore’s standup humor can be unfolded. Beginning life as the afterbirth to a watermelon, the young Wheatstraw becomes a martial artist, but is unable to best the evil comedy team of Leroy and Skillet, who also indulge in wholesale murder. Satan restores the comedians’ victims to life, and charges Petey with the task of marrying his clock-stoppingly ugly daughter to giving him a grandchild. When Petey attempts to default on the deal, he is pursued by the devil’s henchmen.