In a locked-down NYC, two priests open their church doors to those seeking salvation during the most isolating of times. From the commonplace to the truly metaphysical, their visitors reflect the full spectrum of personal crises of spirituality. Throughout their encounters with the city’s sweetest, wildest and weirdest, the two priests learn the importance of connection, empathy and open-mindedness. Sometimes a little faith is all you need to make it through the bad times.
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After a long interstellar search, man has found a second home: New Earth. After the scientists, the governments, the military and the wealthy, the hopeless masses of Earth too want their chance at a new life on this emerging world of wonder and opportunity. ‘Taking the Leap’ in whatever way, lawfully or not, has become the dream of millions. In order to deal with illegal stowaways and human trafficking on a Biblical scale, specialized police cadres have been activated. In 22nd century London, this is the Inter-Planetary Migration Administration. Confrontations between IPMA units and the smuggling rings are merciless, if not most for those caught in the middle. Jacob Reiss is a conscientious but disillusioned IPMA detective, a veteran with 15 years of service. An encounter with a Cartel prostitute presents him with an opportunity he had given up on, a chance to save himself from a crushing secret in his past, as well as an empty future on Earth.
Bolivia has become a safe haven for the Santa Blanca, one of the most powerful cartels in the world. When a betrayal threatens to destroy everything the cartel has built, no one will escape their vengeance. War Within the Cartel is inspired by the Tom Clancy’s Ghost Recon Wildlands video game by Ubisoft and executive produced by Roberto Orci (Star Trek) and Orlando Jones (American Gods).
In Scotland 1874, Jack is born on the coldest day ever. Because of the extreme cold, his heart stops beating. The responsible midwife in Edinburgh finds a way to save him by replacing his heart with a clock. So he lives and remains under the midwife’s protective care. But he must not get angry or excited because that endangers his life by causing his clock to stop working. Worse than that, when he grows up, he has to face the fact he cannot fall in love because that too could stop his delicate heart.
When down-on-his-luck part-time high school wrestling coach Mike agrees to become legal guardian to an elderly man, his ward’s troubled grandson turns out to be a star grappler, sparking dreams of a big win — until the boy’s mother retrieves him.
White Creek is a place from another universe. A place where feudalism remains intact and people struggle to break free from debt. One family must escape the dangers of this decaying society, as the power in their valley changes hands. In the end they are left to decide how to move forward in this universe and the next.
A Chicago weather man, separated from his wife and children, debates whether professional and personal success are mutually exclusive.
Ichikawa’s 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa’s film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.
A bar in the middle of nowhere. A girl facing her demons. Her twin brother. An incestuous relationship. A mother they never met. A violent, alcoholic father. The nomads’ periodic visitations.
Eleven-year-old Mildred’s life is turned upside down when her mother lands in hospital and estranged, American magician father, Strawn Wise, comes to look after her. Hoping to entertain the bookish tween, Strawn takes Mildred camping in the notoriously rugged New Zealand wilderness, and the pair embark on the ultimate test of family bonding – a quest to find the mythological beast known as the Canterbury Panther.
After an incident in a bar, Laurentiu dies due to a serious head injury. The film accompanies him through his last living day and offers a glimpse into his last moments. Based on a real life story.