SCARS is a psychological thriller, written and directed by Canadian filmmaker Sean K. Robb. In this stark and disturbing story, Scar – a raven-haired punk with blood under her fingernails – and Scarlett – a blond beauty with a penchant for extortion – discover that they enjoy killing men together. ‘Killing dudes is easy,’ says Scar, as the two women embark on a violent and ruthless killing spree, pursued by the mysterious Det. Mike.
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A group of high-powered, middle-aged white men go to this place to take refuge from the stresses of their daily lives and spend time relaxing and regressing as “adult babies.” It’s set in a beautiful, secret location but this is not their only function. As adult babies, they are there to refuel the world’s economy by sinister and unusual means.
When the sun rises on an unsuspecting group of friends on a bushland road trip, so does the horror. They have stumbled upon an abandoned facility, yet there are children on the grounds, showing signs of reanimated life. And these children are hungry…
Tech tycoon, Clay Amani, retreats to an off the grid location in search of meaning and peace, with disconnected siblings and their offspring, only to be caught in a bone-chilling killing spree within his new estate.
An American reporter smells a story when he is stranded in an Iron Curtain country where the local dictator is using gamma rays to transform children into mutated henchmen.
Doron, a security operative, who takes on one last mission: to capture, number 3 in the terrorist organization of Hezbollah, in Lebanon. With an elite force, Doron enters Lebanon to complete his last mission. Very soon he discovers that reality is not so simple, and that a new and unknown enemy is to be dealt with – and Hezbollah are the last thing on his mind. Doron has to deal with a ticking clock in the form of extensive I.D.F attack and a bloodthirsty enemy, Now that their enemy has changed its face, it’s up to him and his unit to wage a new war, a different war, to find an antidote, get back across the border, before the middle east conflict is changed forever.
In a distant future, an archeologist must use ancient technology in hopes of finding a way to fight back an army of alien attackers and escape the planet.
Julia finds 300 million pesetas hidden in a dead man’s house while selling an apartment. She’s a 40-ish real estate agent now forced to face the wrath of a very peculiar community (of neighbors), headed by an unscrupulous administrator. Black humor gives way to suspense, closely followed by horror that doesn’t take long in coming to a head in undisguised pandemonium.
A giant bloodthirsty Easter bunny starts viciously killing the local townsfolk. When the Mayor refuses to act and the attacks grow more gruesome, the town finds its very survival in the hands of a wannabe actress and a crazy dog-catcher.