In Kenya’s Rift Valley province, giraffes have been reintroduced as part of a project, but animal rights activists, veterinarians and community representatives have to help the small herd when problems arise.
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In the secluded isolation of Christmas Island, crabs have become the guardians of a lush rainforest kingdom. The robber crab is an unruly king, with a meter-wide leg-span and claws that can open a coconut. As we follow the robber’s life cycle, we learn that crabs are much more than creepy crawlies.
Amy Tan has established herself as one of America’s most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage.
Church & State is the improbable story of a brash, inexperienced gay activist and a tiny Salt Lake City law firm that joined forces to topple Utah’s gay marriage ban. The film’s ride on the bumpy road to equality in Utah offers a glimpse at the Mormon church’s influence in state politics and the squabbles inside the gay community that nearly derailed a chance to make history. Church & State is a story of triumph, setback and a little-known lawsuit that should have failed, but instead paved the way for a U.S. Supreme Court decision that legalized gay unions nationwide.
A small community in Veracruz is the guardian of one of the ecosystems facing the most risk: the cloud forest. By redesigning their needs, education and relationship with other people and with nature, they search for a simpler and sustainable life.
To die-hard fans of NBA franchise, the Vancouver Grizzlies, like filmmaker Kat Jayme, the team’s abrupt move to Memphis in 2001 is much more than a sore spot, it’s an unsolved mystery and possibly a criminal conspiracy. What begins as a superfan’s investigation into her hometown team’s disappearance, becomes a love letter to the worst professional sports franchise in history, and an exploration of the deep roots of fandom.
Food production has increasingly become a huge business for a handful of giant corporations. SOYALISM follows the industrial production chain of pork and the related soybean monoculture, from China to Brazil through the United States and Mozambique.
This eye-opening documentary describes the enormous concentration of power in the hands of these Western and Chinese companies and the impact this is having on the food we consume.Hundreds of thousands of small producers have gone out of business and entire landscapes have been permanently transformed. The system has been exported across the world.
From waste-lagoons in North Carolina to soybean monoculture in the Amazon rainforest, is this demand for soy bean jeopardizing the environmental balance of the planet?
Follow trailblazing transgender Pastor Drew Stever and the “House of the Lord”, a found family, the first Sunday of Pride, as they hold a controversial, “come as you are” Queer Church Service, for Queer People, by Queer People and Allies. A biblical celebration of “divine queerness.”
A faceless traveller takes a journey through the barren reaches of a Siberia caught between tradition and modernity, imparting his philosophical musings on its people and places, wildlife and culture.
Feature documentary that explores the international arms trade, the only business that counts its profits in billions and losses in human lives.
After remembering a traumatic racist incident in his childhood, Pirooz Kalayeh decides to document his journey to recovery, traveling back to the barbershop where he was refused a haircut as a child, and then doing a series of role-plays with family, friends, and children to understand how racism leaves lasting effects and how he and others can heal and move forward.
The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America’s most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison’s death in 1971, it follows the band from the corridors of UCLA’s film school, where Manzarek and Morrison met, to the stages of sold-out arenas.