Flora is a circus elephant who can no longer perform her tricks. The night before she’s scheduled to be euthanized, the circus owner’s 14-year old daughter, Dawn, sneaks Flora from the circus. All that stands between them and the safety of the elephant preserve is two hundred kilometers of woods, one raging river, two elephant hunters and the fear of not making it.
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A boy with a massive facial skull deformity and biker gang mother attempts to live as normal a life as possible under the circumstances.
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikolah to smuggle him back to their homeland.
Christmas, Again tells the story of Noel, a young man who travels from upstate NY every year to sell Christmas trees in New York City. Returning without the help of his long-time girlfriend, this year Noel finds it impossible to do the one thing he knows so well—sell Christmas trees. As Noel begins to spiral downwards, alienating co-workers and customers in the process, it turns out this same community of people may be the only ones capable of saving Noel from self-destruction.
The film begins with his capture by Philippine and US forces under Frederick Funston’s command in 1901, then flashes back to 1886, when an old woman gives Aguinaldo and his childhood friend Candido Tirona cryptic prophecies. Ten years later, Aguinaldo is inducted into the Katipunan and later assumes leadership of its Cavite chapter while becoming mayor of Cavite El Viejo. When the trouble breaks out in Manila in late August 1896, Aguinaldo tries to assure the Spanish provincial government of non-interference and covertly marshals his forces despite a lack of weapons. Learning that the Spanish mostly put their forces in Manila, Aguinaldo finally mobilizes his troops and take the command of the Katipunan forces in Cavite
Confronted with a series of racially charged incidents, a young black man must overcome rage, alienation, and hopelessness in order to find his own humanity.
Novella McClure is like most struggling actresses in Los Angeles: she’s in her early 30s, her fake name sounded cooler ten years ago, and she hasn’t landed a role in three years. To top it all off, she’s developed a disturbing habit of eating her own flesh. Novella desperately tries to hide her strange condition from her motherly landlord, Eesha, and somewhat psychopathic best friend, Candice, but her body and mind continue to deteriorate in the depressing world of failed auditions and sketchy night clubs. Can a romantic relationship with her psychiatrist prevent her from self destruction? Or will her fatal habit continue to eat away at her?
Turner Prize-nominee and Deutsche Börse Prize-winner, Richard Billingham returns to the subject of the striking photographs that he captured of his family during Thatcher era Britain in this drama recounting his childhood in a Birmingham council flat.
A poignant drama that chronicles the unexpected friendship that develops between Cooper, a melancholy bartender, who at thirty-six still isn’t sure what he wants to do with his life, and Daisy, an extremely bright but socially awkward girl in her early twenties.
The United Kingdom. Soon. Civil war rages. A woman wakes up in a blindingly white cuboid cell. Using its sophisticated functionality, her captor tortures her for information; information she claims not to have – or does she?
A mysterious woman, stranded in her car near Golden Gate Park, convinces a thief to help her as she fights to stay in the city she loves.
