1945, Leningrad. World War II has devastated the city, demolishing its buildings and leaving its citizens in tatters, physically and mentally. Two young women, Iya and Masha, search for meaning and hope in the struggle to rebuild their lives amongst the ruins.

Murat is a sound recordist who lives in Istanbul. He makes an unexpected connection in his records between a grandmother and a grandchild, which becomes a trip to the family’s past to strengthen their ties.

A dying man seeks out a beauty consultant to hide his symptoms.

The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.

Maverick cop Orin Boyd always brings down the domestic terrorists he tracks, but he ruffles feathers with his unorthodox techniques — and soon finds himself reassigned to the toughest district in Detroit. When he discovers a group of detectives secretly operating a drug ring, Boyd joins forces with an unlikely ally — gangster Latrell Walker — to bring down the rotten cops.

“Majo” Tonorio, a.k.a. Filly Brown, is a raw, young Los Angeles hip-hop artist who spits from the heart. When a sleazy record producer offers her a crack at rap stardom, Majo faces some daunting choices. With an incarcerated mother, a record contract could be the ticket out for her struggling family. But taking the deal means selling out her talent and the true friends who helped her to the cusp of success.

Alicia is a 42-year-old-woman whose grief has caused her estrangement from society. Her world is turned upside down when 14-year-old Chief, a young boy who looks after people’s cars, stumbles into her house, bleeding.

Set during World War II, somewhere in Eastern Europe. A German soldier is found dead near the village. The local authorities must find the culprit, or they will be all shot by the Nazis the morning after. There’s no way to find the guilty one, but there’s Ipu, the madman of the village, whom they promise a hero’s funeral if he will claims responsibility and agrees to die in their place. He must decide, and time is running out.

When the villagers killed Constantin Tirescu, they thought it was justice. Vlad Cozma thinks it was murder. Now, Constantin thinks pickles might go nice with blood.

The story concerns the funeral of one of three brothers in a family of gangsters that lived in New York in 1930s. Details of the past of the brothers and their families are shown through a series of flashbacks.

Bold and unsentimental in its portrait of a young man who faces the destruction of the family he struggles to support, Shuttle Life (Fen Bei Ren Sheng) marks a finely crafted feature debut for short-film director Tang Seng Kiat, focusing the spotlight on Malaysian cinema after a very long time in the dark. This hard-hitting social drama features naturalistic performances from pop singer and actor Jack Tan in the main role and Taiwanese actress-director Sylvia Chang as his mentally unstable mother

Tommaso and Arturo are on the run in a remote forest. They hunt for food, trying to survive and find their way through the lush nature. It’s quiet, almost peaceful, until the sound of gunshots… Many years later, this forest has a wolf problem. It’s here where Ariane discovers a strange hole in the ground. Could she be the woman referred to in the valley’s legends?