Li Xuelian, a woman from the countryside is falsely accused by her husband of having an affair. To defend herself, Li moves from her small town to the big city until she reached the capital.

On the lazy banks of the Mississippi, a young girl is reunited with her time-served but innocent father. But the reunion is tainted with the whereabouts of the stolen loot, and those who come looking for it…

Paris 1913. Coco Chanel is infatuated with the rich and handsome Boy Capel, but she is also compelled by her work. Igor Stravinsky’s The Rite of Spring is about to be performed. The revolutionary dissonances of Igor’s work parallel Coco’s radical ideas. She wants to democratize women’s fashion; he wants to redefine musical taste. Coco attends the scandalous first performance of The Rite in a chic white dress. The music and ballet are criticized as too modern, too foreign. Coco is moved but Igor is inconsolable.

Still depressed over the suicide of his mother, Bill has no idea that he’s in for a wild ride when he and his wife Jennifer board the yacht owned by her bigoted lawyer brother. Along for the trip: a rock musician and his wife, as well as the newly sex-changed Tim, and the woman he’s smuggling into the U.S.

A prince finds his way to Queens during Christmas when a local woman enlists his help with a children’s Christmas show.

Little Q is an aspiring guide dog, training to be a guide for the blind. Soon Little Q is partnered with Bo-ting, a renowned pastry chef who’s losing his sight. But Bo-ting is irritable and reluctant, constantly losing his temper at those around him and rejecting Little Q. Eventually, dog and owner bond as Little Q wins Bo-ting over with its unwavering loyalty. However, as Little Q gets older and Bo-ting’s health suffers, the two of them face an unwilling separation…

For No Good Reason a film about Ralph Steadman. Johnny Depp guides the visually stunning journey, smashing narrative conventions, moving seamlessly from interview to animation and in the finest Gonzo tradition questions of witness and authenticity are challenged. Steadman’s art is for the first time animated, including illustrations from Hunter S Thompson’s Fear and Loathing in Las Vagas. Featuring Richard E Grant, Terry Gilliam, Bruce Robinson and with music from Slash, The All American Rejects, Jason Mraz, Crystal Castles, Ed Hardcourt and Beth Orton. A touching and at times funny film about honesty, friendship and the ambition driving an artist. This is a true record of the demise of the 20th Century counterculture and hipster dream with Ralph Steadman the last of the Gonzo visionaries.

Can one act justify a lifetime of wickedness? Explore the darkest confines of the soul from Robert Conway’s film, “Redemption.” A genre busting Western where there is no law, no good guys; only the bad and worse. Frank Harden is no stranger to the unlawful west, he is a killer. However, because of a tragic event he must battle his own worst enemy, himself.

A drug and sex addicted criminal attorney tries to regain control of his life after a case defending his childhood friend begins to unravel him. While attempting to buy a quick fix from a psychiatrist, he reveals the truth behind his addiction fueled inner demons.

23-year-old Franky is a nurse who lives with her large family in an East London borough. Obsessed with a thirst for revenge and a need to assign guilt for a traumatic event that happened 15 years before, she is unable to build any meaningful relationship until she falls in love with one of her patients – Florence. They escape to the coast where Florence lives with her more open-minded patchwork family. There, Franky finds the emotional shelter to deal with the grudges of the past.

Janet and Michael are a young couple trying to balance their life and love with one another. When challenges come up that threaten that bond they have to figure out how to keep their love strong or let it go. They have to figure out what love is.

PRIMO was adapted by Antony Sher from Primo Levi’s monumental account of his year spent in Auschwitz, IF THIS IS A MAN. When it opened in September 2004 at the National Theatre PRIMO was instantly recognised as a major theatrical event. A work of astounding dramatic power it sheds a light on one of the darkest episodes in human history. Antony Sher’s towering performance is as controlled as Primo Levi s own lucid prose. Beautifully directed by Richard Wilson and presented in Hildegard Bechtler’s magnificent, symbolist set.