Sergeant Joe Gunn and his tank crew pick up five British soldiers, a Frenchman and a Sudanese man with an Italian prisoner crossing the Libyan Desert to rejoin their command after the fall of Tobruk. Tambul, the Sudanese leads them to an abandoned desert fortress where they hope to find water. Soon a detachment of German soldiers arrives and attempts to barter food for water, but Gunn and his followers refuse. When the Germans attack, Gunn leads his desert-weary men in a desperate battle, hoping that British reinforcements can arrive in time.
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Set in the changing world of the late 1960s, Susanna Kaysen’s prescribed “short rest” from a psychiatrist she had met only once becomes a strange, unknown journey into Alice’s Wonderland, where she struggles with the thin line between normal and crazy. Susanna soon realizes how hard it is to get out once she has been committed, and she ultimately has to choose between the world of people who belong inside or the difficult world of reality outside.
A man fakes his death. At his funeral he discovers he has a son and attempts to find him.
Suddenly learning she is terminally ill, Se-yeon asks her husband, Jin-bong the absurd task of helping her find her first love, and he unwillingly joins her search. Along their journey, Se-yeon and Jin-bong are reminded of the most glittering, beautiful moments of their lives.
A lonely man starts a travel to meeting somebody very special.
Drama runs deep with betrayal between friends and distrust between lovers. It only takes one moment to realize that what seems to be right turns out to be wrong. As deception falls upon the hearts of these women, vulnerability becomes the objective in this passionate story.
Previously known as “Repeat, I Love You”, “Shadows of Love” is a modern-day Cinderella romance starring Cecilia Cheung (“Legendary Amazons”) and Kwon Sang-woo (“Stairway to Heaven”) as a rivals who eventually fall for each other. The film revolves around three interrelated love stories with the one played by Kwon and Cheung as the core. Cheung plays two contrasting roles in the film, one as a refined lady, and the other as a determined young woman with quick temper.
Two suicidal teenagers, Conrad and Michelle, turn to each other for support, communicating via text messages. But when Conrad expresses his desire to end his life, instead of trying to stop him as she had previously, Michelle encourages Conrad to take his life, even providing him suggestions on how to do it.
A wealthy Iranian family struggles to contain a teenager’s growing sexual rebellion and her brother’s newfound conservatism.
Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.
When Amador Coro gets out of prison for having provoked a fire, nobody is waiting for him. He returns to his home town, a small village hidden in the mountains of rural Galicia, to live with his elder mother, Benedicta, and three cows. Life goes on calmly, following the rhythm of the nature. Until the night when a fire devastates the region.
