A man recovering from a nervous breakdown and the recent death of his mother begins to believe another entity is living within the walls of his home.
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Four interwoven stories that occur on Halloween: an everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank; a bitter old recluse receives an uninvited guest.
A couple (Jian RenZi and Andrew Lin) who has been unsuccessfully trying to have a child for a few years, and decides to resort to an old Chinese fertility ritual, that of the “primer”: to temporarily adopt a child, who will open the way for their own progeny. They adopt a quiet 7-year-old girl (Wang Yifei) at an orphanage whose supervisors (Hui Shiu Hung and Pat Ha) are obviously not telling them everything. The adopted child is silent, asocial and constantly draws disturbingly dark pictures of her previous family. It doesn’t help that her new mother is beset with strange visions that threaten her sanity.
A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.
An author goes on a jogging trail for inspiration, but along with a backpacker he finds there is true evil hiding in the trees. A father and son combo begin to stalk the author and the backpacker.
Eddie is your average 80’s metal head teen. Now he’s obsessed with his heavy-metal superstar idol, Sammi Curr who is killed in a hotel fire. Eddie becomes the recipient of the only copy of Curr’s unreleased album, which when played backwards brings Sammi back to life. As Halloween approaches, Eddie begins to realize that this isn’t only rock ‘n roll… it’s life and death.
Two young missionaries are forced to prove their faith when they knock on the wrong door and are greeted by a diabolical Mr. Reed, becoming ensnared in his deadly game of cat-and-mouse.
With nowhere else to hide, a group of mercenaries and their prisoners take cover inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the ‘Belly of the Bulldog’. After collaborating closely with Ben Wheatley on FREE FIRE, HIGH-RISE, A FIELD IN ENGLAND and KILL LIST, director Nick Gillespie makes his feature debut.
As a snow storm closes in, one final plane takes off. The plane reports to the ground that both pilots are dead, while the slowly dwindling number of passengers on the plane wish that they’d never left the ground.
A divorced mother is obsessed with the idea that her ex-husband is plotting to take her baby away from her.
