In Paris, a young girl is found dead in a Parisian square, wearing an evening dress. Commissioner Maigret will try to identify her and then understand what happened to the victim.

When Declan loses his dog and best friend, Ralphie, his life starts to unravel.

Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.

Petr and Hana, who after years together share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into experimentation with a non-monogamous approach to their relationship.

Matilda takes a one-day release from jail to attend her mother’s funeral, with no intention of returning. The clock is ticking as Matilda tries one last time to get help from her family and is forced to confront her troubled past.

A seemingly perfect family moves into a suburban neighborhood, but when it comes to the truth as to why they’re living there, they don’t exactly come clean with their neighbors.

The story follows two childhood friends as they go back in time to try and prevent the suicide of their other best friend.

Island of Tahiti. French government official De Roller is a calculating man with impeccable manners, capable of dealing with both high society and the locals he frequents in shady joints.

Maria San Carlos, the only daughter of a wealthy landowner, is betrothed to Escobar, a General in the Mexican Revolution, but she does not love him. Escobar sends a mixed gang of Americans and Mexicans to capture her and bring her to him. Complications ensue when an American cowboy, who had been hitching a ride with Maria’s entourage and has his gold stolen by the gang, pursues them across the desert.

Fate plays a vital role in connecting the life of Bantu, a son who seeks validation from his cold-hearted father with the life of Raj, whose millionaire father wishes that he was more assertive.

Clara is studying for a Ph.D in philosophy in Berlin. In this middle-class male academic environment, she feels pushed to one side. She returns to her childhood village in former East Germany for her mother’s birthday, and becomes aware that a distance has grown between her and her family.

Often in the backseat and a second priority to her partner, a lawyer decides to end her relationship and focuses on herself with a help of a man out of her league.