Feature length documentary examining the troubled life and tragic death of college football standout and talented NFL running back Lawrence Phillips, whose scars of childhood abuse and abandonment haunted him throughout his career.
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Six years after an affair with the 15-year old daughter of the priest who was his mentor, a former youth minister, now an ex-con and recovering addict, returns to his hometown seeking redemption, only to find that his past will not let him go.
Street vendor Marcia is scraping together a living in the ghetto section of Kingston, Jamaica. Her young daughter is being hounded by a rich sugar daddy who has been supporting the family; her brother’s life is being threatened by a local thug. So, when the licentious patron threatens to abandon the family, and her brother breaks down under pressure, Marcia hits bottom. She needs to escape to a haven where she can get lost in fantasy; Marcia, don in sex-me-up clothing and outrageous glamour, finds refuge in the beats of the very dance hall outside of which she normally vends.
A sheltered womanandapos;s past comes back to haunt her when sheandapos;s thrown in jail for being an accomplice to her spy lover, and 20 years later, a group rescue her from jail and sets up a semblance of her old house to make her remember a …
Fueled by an impoverished childhood, George Foreman channeled his anger into becoming an Olympic Gold medalist and World Heavyweight Champion, followed by a near-death experience that took him from the boxing ring to the pulpit. But when he sees his community struggling spiritually and financially, Foreman returns to the ring and makes history by reclaiming his title, becoming the oldest and most improbable World Heavyweight Boxing Champion ever.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
Petr and Hana, who after years together share their unspoken erotic fantasies. What begins as an innocent conversation gradually turns into experimentation with a non-monogamous approach to their relationship.
When Alice (Lawrence), a beloved neonatal intensive care unit supervisor, is forced to take early retirement, her young colleague Jenny (Ullerup) decides to turn the upcoming staff Christmas party into a surprise celebration for her. The plan is complicated by Matt (Polaha), the hospital’s new CFO, who’s been tasked to cut costs. Initially at loggerheads, Jenny and Matt get to know and understand each other —a sweet Christmas gift neither saw coming.
Longinotto’s documentary is about Brenda Myers-Powell, who fights against sexual exploitation and supports prostitutes in Chicago. Brenda knows what she is talking about: her own story, involving teenage prostitution and a life of violence and abuse, is in stark contrast to her dauntless energy and optimism.
After a U.S. policeman is killed by black market weapons dealers, his partner, Rudy (Robert Madrid), and the murdered cop’s father, ex-British Intelligence agent Roger Chambers (Michael York), head to Moscow to find the killers. The two begin to track down their targets, but their plan falters when Rudy’s injured and Chambers is arrested. Enter Vlad (Alexander Nevsky), a Russian officer who’s willing to help the men complete their mission.
The story of two college graduates from the Midwest who move to Los Angeles, where their love is tested for the first time.
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.