Haas is an 18-year-old girl who was raised by her father in the rural Midwest. When her father suddenly dies, she must carry out his wish to be buried in the town where he was born. There, she meets a young man named Will, a lonely, creative soul who is working to support his family back home. The two of them form a friendship that challenges both of their understandings of love and loss.
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The film consists of three chapters. The Manslayer takes place more than a hundred years ago. The leading character Maara is a young bride who is about to start her life in her new family. The Virgin, set in the spring of 1949, tells the story of a young woman called Elina, who has been deported from Ingria into Estonia during the previous war. The Shadow moves in the present, on the border of real life and fantasy. The main character, Luna Lee, has decided to flee from home. Is there anything besides emptiness somewhere? The film is led by the singularity of the leading character – Maara, Elina and Luna Lee are all played by the same actress.
In a world plagued by demons who cause great human suffering, young demon hunter Xuan Zang risks his all to conquer a water demon, a pig demon and the demon of all demons, Sun Wukong.
Growing up in Las Vegas, Danny and Melissa meet at age eight and are destined to become life long friends. During their teen years they cling to each other for love and security but as they grow older their lives take different paths. Danny fills the void in his heart with his passion and love for America’s favorite pastime. While Melissa, filled with the insecurities of her youth, struggles to find the strength to pursue her childhood dreams. Although apart, their lives are forever connected. Like a glorious seven game world series, “The Road Home” is a story of imperishable hope, courage, faith, love and coming home.
It’s 1984 and outside a small-town nightclub, a group of 8th graders gather, grappling with a spate of recent suicides, UFO sightings, their absentee parents, and each other.
After the loss of her family, a young woman struggles to survive in a world long-since destroyed by disease; but when a lonely traveler offers her a place in his community, she must decide if the promise of a better life is worth the risk of trusting him.
Ada, a reserved young woman with a passion for entomology, travels north with Marissa, her free-spirited musician girlfriend. She’s finally meeting the three brothers who helped raise Marissa: the paternal Ozzie, sensitive Arthur, and wild child Wren. As Marissa and her kin settle into their familial dynamics, Ada finds herself on the outside looking in. Desperate to make a good impression over the course of a weekend packed with fun and frivolity, Ada instead struggles to find common ground, opening fissures in the one relationship she needs the most.
A hurricane swells outside, but it’s nothing compared to the storm within the hotel at Key Largo. There, sadistic mobster Johnny Rocco holes up – and holds at gunpoint hotel owner James Temple, his widowed daughter-in-law Nora, and ex-GI Frank McCloud.
Aviator Marie Vallières de Beaumont goes on a journey to find her lover Bill Lancaster after his plane disappears in the Sahara. After her plane is forced down in the Ténéré she meets Lieutenant Antoine Chauvet of the French Camel Corps who joins in the hunt for Lancaster. As the two endure hardships in the desert, they begin to develop feelings for each other.
The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country he fought for.
In EVOLUTION, acclaimed filmmaking team Kornél Mundruczó and Kata Wéber (PIECES OF A WOMAN) return with a powerful drama tracing three generations of a family, from a surreal memory of World War II to modern day Berlin, unable to process their past in a society still coping with the wounds of its history. Like the water that connects the episodes in this triptych, memory and identity are fluid, and how we relate to it can drown or buoy. The pain and stigma that trickles from Eva, to Lena and then Jonas is inexpressible, yet rendered with striking imagery by Mundruczó and a wrenchingly poignant yet acerbically ironic and personal script by Weber. While generational traumas find new expression in the present, the family in EVOLUTION looks towards a more hopeful future