Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography and lousy catering. Divided in three acts, each representing a different scene to shoot, this film is an essential for amateur filmmakers.

When Marla’s dog runs away on Christmas Eve, she must team up with her ex-boyfriend Max to find him. As the pup leads the exes on an all-day-and-night search through their North Carolina hometown, they revisit people, places and things that remind them of the Christmas pasts they spent together.

A lifetime hood has one night to repay a debt to an up and coming shot caller before he can leave town, all the while trying to duck a crooked P.O., a former partner with a grudge and a burned out Narc Cop, as well as do his best to win back the woman he left behind, who has spent her last few years paying a hard price for his mistakes.

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Story of a US-educated scientist who returned to China, and suffered during the years of the Cultural Revolution.

A man and wife are sucked into a whirlpool (in the wife’s case, hot tub) of supernatural sex by a trio of randy, well-endowed witches.

Rafa’s hooked on the pure, fiery feelings he gets from speed racing, but when his kid’s mom gets mixed up with drug dealers, he burns rubber to save her.

Six vignettes pit an assortment of characters against each other in everyday situations.

Sex, drugs and suicidal tendencies… HAPPY NEW YEAR! This ensemble driven dramedy revolves around an eccentric New Years Eve Party, where the Party-Goers are oblivious to the true atmosphere of pain amid the celebration of “life”.

Because he has not heard anything for a while from his older brother Ikenna, musician Amadi travels from Nigeria to the metropolis of São Paulo. But Ikenna remains missing.

Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.

Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann Warren and has already been optioned by her unscrupulous, draft dodging husband, Henry. Now the combine must also obtain two smaller plots – one owned by Henry’s cousin Rad McDowell, a combat veteran with a wife and family; the other by Reeve Scott, a young black man whose mother had been Julie’s childhood Mammy. But neither Rad nor Reeve is interested in selling and they form an unprecedented black and white partnership to improve their land. Although infuriated by the turn of events, Henry remains determined to push through the big land deal. And when Reeve’s mother Rose dies, Henry tries to persuade his wife to charge Reeve with illegal ownership of his property, confident the the bigoted Judge Purcell will rule against a Negro.