In 2009, Iranian Canadian journalist Maziar Bahari was covering Iran’s volatile elections for Newsweek. One of the few reporters living in the country with access to US media, he made an appearance on The Daily Show with Jon Stewart, in a taped interview with comedian Jason Jones. The interview was intended as satire, but if the Tehran authorities got the joke they didn’t like it – and it would quickly came back to haunt Bahari when he was rousted from his family home and thrown into prison. Making his directorial debut, Jon Stewart tells the tale of Bahari’s months-long imprisonment and interrogation in this powerful and affecting docudrama featuring a potent and performance by Gael García Bernal recounting Bahari’s efforts to maintain his hope and his sanity in the face of isolation and persecution-through memories of his family, recollections of the music he loves, and thoughts of his wife and unborn child.
You May Also Like
When a passionate young model convinces her boyfriend, a painter, to take to the canvas to renew their sexual chemistry, their erotic, uninhibited masterpieces command the attention of the art world. Smothered in paint, the couple slip and slide into a new realm of their relationship.
Théo and Hugo meet in a club and form an immediate bond. Once the desire and elation of this first moment has passed, the two young men, now sober, wander through the empty streets of nocturnal Paris, having to confront the love they sense blossoming between them. Ducastel and Martineau’s most ambitious film to date and a candid insight into 21st century life.
This Christmas, Thunder Mountain Ski Resort is abuzz when celebrity chef Shane Roarke is named the new head chef. Clara Garrison isn’t as excited and is instead focused on getting resettled after her failed attempt at opening a restaurant in the city. With their paths constantly crossing, will their shared passion for cooking bring them together or will secrets keep them apart?
A gallerist risks her family and flourishing career when she enters into an affair with a talented painter and slowly loses control of her life.
1930s Korea, in the period of Japanese occupation, a new girl (Sookee) is hired as a handmaiden to a Japanese heiress (Hideko) who lives a secluded life on a large countryside estate with her domineering Uncle (Kouzuki). But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.
Lily is a museum curator who finds a painting that looks just like her. Lily’s search for the artist leads her to Ireland, where she meets William, a charming man who helps her on her quest and may also know more about the portrait’s origins than he’s letting on.
In the second half of the 19th century, Eadweard Muybridge, the father of motion pictures, embarks on an obsessive project to record on film “the motion of life” in all of its abundance. His epic quest is eclipsed only by the depth of his jealousy over his beautiful, young wife Flora. As the project progresses, his paranoia over her fidelity consumes him, until questions arise about his son’s paternity, causing him to erupt.
Fagun Haway is a Bangladeshi historical drama film based on the novel Bou Kotha Kou by Tito Rahman. This movie based on the language movement during 1952 in East Pakistan.
My mother has died. Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father… And through those photographs, and with the help from an old camera -my grandfather’s inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory… that of my family. In the end, we will have to think on our memory and on what we have preserved and lost.
After her girlfriend is imprisoned on fraud charges, Chela is forced to face a new reality. Driving for the first time in years, she begins to provide a local taxi service to a group of elderly wealthy ladies. As Chela settles into her new life, she encounters the much younger Angy, forging a fresh and invigorating new connection.
Avery, a blogger with a string of disappointing Valentine’s Days, is ready to give up on love when she meets handsome veterinarian Brenden. When Avery finds out Brenden blames his recent break up on her blog and is the one leaving her angry comments, she begins to question whether the bond they’ve began to build is a true love story or yesterday’s news.