Roseanna is dying of a heart condition, and all she wants is to be buried next to her daughter, in a cemetery that is getting full fast. The cemetery can’t expand because Capestro, the man who owns the land next to the cemetery, won’t sell. While Marcello is doing good deeds to make sure no one dies, Roseanna thinks of Marcello’s future.
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The untimely death of a young woman sparks interest in (Stella Martin) a flamboyant lawyer with a mysterious past.
A dropout comes to the aid of a chubby and suicidal high-school kid by recruiting him as the drummer for his upstart punk-rock band.
A movie about a relationship…that’s worse than yours. Seth (Stewart), a sitcom writer-producer, meets Chelsea (Wilson), an interior decorator, at his best friend’s (Bellamy) wedding. He’s immediately sexually attracted to her while she’s instantly attracted to his single-ness. They both ditch their wedding dates and start their own date that same night. The two become a couple, appearing very happy until after a couple of years of postponing a marriage proposal. When Chelsea realizes that Seth wants to remain single and together, she becomes quite bitter. In the next hour of the movie, the two engage in behavior that makes the War of the Roses look like child’s play.
In the near future, the sun has become so toxic people can no longer leave their houses in daytime, and normal life is conducted mostly inside the virtual realm. Against this dystopian backdrop, a dying man seeks to ensure the future well-being of his family, while coping with what it means to be human in this new reality.
The young Austrian princess Marie Antoinette is arranged to marry Louis XVI, future king of France, in a politically advantageous marriage for the rival countries. The opulent Marie indulges in various whims and flirtations. When Louis XV passes and Louis XVI ascends the French throne, his queen’s extravagant lifestyle earns the hatred of the French people, who despise her Austrian heritage.
A long-divorced couple are reunited on a blind date and agree to fix each other up with friends and colleagues. While fix-up after fix-up fails to work out for either of them, they begin to wonder if perhaps they aren’t the right match for one another after all.
All the people surrounding her refuse to express their feelings and emotional boundaries. The resulting everyday life is characterized by ruthlessness: Even friends reduce each other to their appearance and shamelessly take advantage of each other. Minori runs against this by attacking ignorance whenever she encounters it, whatever the consequences might be.
Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.
Orson Welles’s “Mr. Arkadin” tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as “Confidential Report” but was never released in the US. The fourth version, called “the Corinth version”, was discovered in 1961 and was released in the US in 1962. Finally, in 2006, “the Criterion edit” was released; likely to remain the one closest to Welles’ intentions.
Against formidable odds — and an old-school diving instructor embittered by the U.S. Navy’s new, less prejudicial policies — Carl Brashear sets his sights on becoming the Navy’s first African-American master diver in this uplifting true story. Their relationship starts out on the rocks, but fate ultimately conspires to bring the men together into a setting of mutual respect, triumph and honor.
