Thrown to rot in a narrow and gloomy cell of a hideous Soviet prison, a weary new inmate struggles to come to terms with the new reality. Within the grey cage, an unwelcoming fellow convict cautions the newcomer not to touch the intriguingly mysterious red wooden box which rests on the lower bunk, moreover, not even think of opening it. Why is there so much secrecy about the contents of the box? Could there be hiding the means to his escape?
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Age of the Dragons is an adaptation of Herman Melville’s classic novel Moby Dick. Set in a medieval realm where Captain Ahab and crew hunt dragons for the vitriol that powers their world, Ishmael, a charismatic harpooner and his friend Queequeg join their quest. Ahab’s adopted daughter Rachel, beautiful and tough, runs the hunting vessel. Ahab’s obsession to seek revenge on a great White Dragon that slaughtered his family when he was young and left his body scarred and mauled, drives the crew deeper into the heart of darkness. In the White Dragon’s lair Ahab’s secrets are revealed and Rachel must choose between following him on his dark quest or escaping to a new life with Ishmael.
Spa owner Aya accidentally bumps into a distraught Taryn, who turns out to be a sorority sister. When Aya learns that Taryn has been dumped by the very guy she just moved to LA to be with, Aya welcomes her into her home and life as any sister would. But Taryn is not really her sister. She is a former foster child who will do anything, even kill, to create the family bond she has desperately wanted her entire life.
Separation concerns the inner life of a woman during a period of breakdown – marital, and possibly mental. Her past and (possible?) future are revealed through a fragmented but brilliantly achieved and often humorous narrative, in which dreams and desires are as real as the ‘swinging’ London (complete with Procul Harum music and Mark Boyle light show) of the film’s setting.
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.
Jenn lives in an underground bunker, protected from the monsters that now ravage the world. This is the day that she goes outside…
Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don’t realize is that agoraphobia is not her only psychosis.
Prominent cinematographer Christopher Doyle continues to hone his talents as a director with this thriller set in Eastern Europe and inspired by the as-yet-unsolved murder of a Polish politician in 2001. A young prostitute is spending the evening with a prominent Polish official when he’s suddenly assassinated in Warsaw. In the aftermath of the hit, the triggerman takes the prostitute to an apartment and subjects her to a complex personality replacement program designed to wipe out any memories she may have retained about the evening’s events.
A Christmas angel grants a wish to a Christmas hater, to have her life as a singer.
When a car accident orphans his young nephew, a Shaolin monk journeys to the United States to look after the lad and open his own martial arts academy, but he soon gets caught up in a dangerous kung fu underworld.
Ousmane Diakité and François Monge are two cops with very different styles, backgrounds and careers. The unlikely pair are reunited once again for a new investigation that takes them across France. What seemed to be a simple drug deal turns out to be a much bigger criminal case wrapped in danger and unexpected comedy.
