One year ago Romesh Ranganathan and special guests Richard Osman, Katherine Ryan and Danny Dyer made some bold predictions for 2018. Now they’re getting together to see who got it bang on and whose crystal ball was on the blink.
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Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure. Radu Jude (Aferim!) delivers an incendiary mix of unconventional form, irreverent humor and scathing commentary on hypocrisy and prejudice in our societies.
Tommy has lost his job, his love and his life. He lives in a small apartment above the Trees Lounge, a bar which he frequents along with a few other regulars without lives. He gets a job driving an ice cream truck and ends up getting involved with the seventeen-year-old niece of his ex-girlfriend. This gets him into serious trouble with her father.
When Quinn, a grouchy pilot living the good life in the South Pacific, agrees to transfer a savvy fashion editor, Robin, to Tahiti, he ends up stranded on a deserted island with her after their plane crashes. The pair avoid each other at first, until they’re forced to team up to escape from the island — and some pirates who want their heads.
After the “mysterious” death of a colleague, the doldrums of office life at DanRick Designs are given a surprise resuscitation when Miles Fuller and Dylan Kirkpatrick discover they are the lead candidates for a promotion. The timing of the advancement opportunity couldn’t be more ideal for the entry-level employees. The Tech Center where Miles’ voluntarily teaches inner city teens is low on funds, and Dylan is desperate to purchase the home his deceased father built by hand, before his mother is manipulated by his weasel stepdad to put it on the market. The pay increase from the promotion could resolve their dilemmas, except only one of them can win the job.
Comedian Dusty Slay serves up his distinctive homespun humor on shirt-tucking, hipster coffee shops and country music mysteries.
Georgy has resigned herself to being one of life’s accidents. She disapproves somewhat of her father’s butlering James Leamington. She’s tall, plump, sloppy and wistfully envious of what she conceives to be the life led by her beautiful, but icy roommate. Where her roommate, Meredith, is cool and calculating, Georgy gets so involved with the people around her she behaves like an affectionate puppy. Most of all she burns to be a mother. But it is Meredith that is in the hospital having an unwanted child.
Whether it’s someone mixing burnables and recyclables or noise from a neighbor’s domestic spat, there’s always something occupying the residents of a housing project in the suburbs of Osaka. However Hinako (Naomi Fujiyama) and Seiji (Ittoku Kishibe) couldn’t care less. Having moved in just six months ago after the closure of their herbal medicine shop, the old couple is reluctantly putting their life back together. But when Seiji disappears, the apartment rumor mill churns: divorce, murder, dismemberment? As the story spins out of control, and a mysterious man with a parasol puts in a tall order of natural remedies, the truth turns out to be even more fantastic than gossip. Ranging from incisive comedy of errors to absurdist adventure to moving late life romance, “The Projects” is one of the biggest surprises of the year.
The balance of power in four couples’ relationships is upset when the women start using the advice in Steve Harvey’s book, Act Like A Lady, Think Like A Man, to get more of what they want from their men. When the men realize that the women have gotten a hold of their relationship “playbook,” they decide that the best defense is a good offense and come up with a plan to use this information to their advantage.
Deborah makes a living by drawing the skin of her clients. One night, her housemate invites her boyfriend and friend to their house. Sitting in the armchair, they consume the series of the moment, Gain of Clones, until, suddenly, the signal is cut off and the screen is dyed red while subliminal images float. No one remembers what happened the last two minutes. The answer will be in the enigmatic presence of giant cats that will later invade the city. As in El sol (2010), the second feature of the animator Ayar Blasco outlines apocalyptic situations where chaos and paranoia is the best excuse to meet surrealist creatures and scenes. Blasco understands that animation is a language with resources that live action does not possess, and exploits those tools as a child who became an adult just to give himself permission to play forever.
The story depicts two star-crossed lovers: Marcus Hanson, a Thai superstar, and Joey Hermosa, a Filipina baker. When Marcus decides to fly to Philippines to escape from his career, he meets Joey. Even though their worlds collide, the two later fall in love. But their relationship is tested by conflicts from their worlds.
An absurdist, surrealistic and shocking pitch-black comedy, which moves freely from nightmare to fantasy to hilariously deadpan humour as it muses on man’s perpetual inhumanity to man.
