Having spent his entire life in a dark cell, never seeing the light of day or another human being, the “Captive” is released into society and must learn how to live for the first time as an adult.

John William ‘Will’ Cooper is a modern-day rancher, maintaining his ranch in hard times along with his friend and foreman Amos Russell. When Will’s estranged daughter Jake returns to the ranch for her grandfather’s funeral, father and daughter clash over how to run the ranch and over the death years before of Jake’s mother, which she blames on Will. Crisis comes in the form of insurmountable debt, and it is only by working together that Will and Jake have any chance of saving their home and their family.

When her husband’s sex game goes wrong, Jessie (who is handcuffed to a bed in a remote lake house) faces warped visions, dark secrets and a dire choice.

Salma Zidane, a widow, lives simply from her grove of lemon trees in the West Bank’s occupied territory. The Israeli defence minister and his wife move next door, forcing the Secret Service to order the trees’ removal for security. The stoic Salma seeks assistance from the Palestinian Authority, Israeli army, and a young attorney, Ziad Daud, who takes the case. In this allegory, does David stand a chance against Goliath?

In 1976 a famous American writer Nathan Zuckerman is challenged by Czech immigrant Sisovsky who implores him to retrieve valuable manuscripts from communist Czechoslovakia. The writer accepts this dangerous mission, where his every step is observed by secret police. Once in Prague, he meets Sisovsky‘s flamboyant and wild ex-wife Olga who is in possession of the manuscripts. The evolving relationship between the hot-headed Olga and Nathan is a confrontation between two worlds – the repressed East and free West. But, Olga won‘t give up the manuscripts to Nathan so easily…

Recently released from military prison with a dishonorable discharge and a broken heart, John Hidell decides to travel to New York City. However his preparations are complicated by an unexpected relationship.

Unknowingly trapped in her role as caretaker of her unappreciative family, a young single woman desperately needs to get her own life. When she volunteers to cat sit at her unrequited love’s downtown L.A loft, her world, as she knows it, changes forever.

A secretary’s life changes in unexpected ways after her dog dies.

Three women’s lives intersect at a lakeside resort and are forever changed by the love of a special needs boy.

In Roy Rogers’ Down Dakota Way, the deadly hoof-and-mouth disease has struck the herd owned by evil rancher H. T. McKenzie (Roy Barcroft). To avoid an expensive quarantine on his stock, McKenzie plans to murder the local veterinarian (Emmet Vogan) before the latter can report his findings to the government. Rogers manages to straighten out the situation by appealing to the sensibilities of the aunt (Elizabeth Risdon) of McKenzie’s hotheaded hired assassin (Byron Barr). The film also bears several musical numbers from Roy, Dale Evans, and Foy Willing and the Riders of the Purple Sage.

Marriages are made in heaven! Though the road to heaven might be a little “tedha’. Meet ‘Manu’, a seedha saadha Doctor from London. Intelligent, temperate and from a respectable family, The perfect groom which every parent wants for their daughter. ‘Family pressure’ leads him to Kanpur to meet Tanu the quintessential small town girl who has studied in Delhi. Tanu is a smart, intelligent girl who will do everything that her parents will disapprove. With a mind of her own and a love for rebellion, Tanu is dead against an arranged marriage. But destiny holds something totally different for these dramatically diverse personalities. Their paths keep crossing time and again and weaves this wonderful story through the Indian heartland.

In 1825, Claire, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker named Billy, who is also marked by trauma from his own violence-filled past.