A malevolent rock star kidnaps a female singer to force her to participate in the summoning of a demon and her band must help her stop him.
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The show features some great light and sound effects apart from the great music that Eagles is renowned for. The ‘five-part’ harmony song, “Hole in the World” elicits a great crowd participation with the audience providing a ‘clap rhythm’ as the band sings. The song “Life’s Been Good” features some antics by Joe Walsh and Frey with them staging a mock rivalry on stage and the latter having a hearty laugh at the former. The song also features a ‘helmet cam’ session where the crowd gets to see what the camera on Walsh’s helmet points at. Also, the songs “The Boys of Summer” and “Hotel California” feature the first officially documented use by the Eagles of a drum machine in a live performance; in particular, during “Hotel California”, a pre-programmed track is used to simulate the muted guitar strums which provide a steady beat on the original studio recording of the song, and which are absent from all of the previous live performances of it.
After country music starlet Tess Stapleton’s album sales keep dropping, her label forces her to record a Christmas album with ex-teen heartthrob and pop-star, Derek Copeland, in an attempt to resurrect each’s career. Reluctantly, Tess agrees. At first, they appear to be polar opposites; clashing over song styles and irritated that they were forced together. However, to their combined surprise, as the album shapes up, they find themselves growing closer over their shared love of music. As they finish the album sparks begin to fly and love blooms just in time for Christmas.
On the brink of a midlife crisis, 30-something Mike O’Donnell wishes he could have a “do-over.” And that’s exactly what he gets when he wakes up one morning to find he’s 17 years old again. With his adult mind stuck inside the body of a teenager, Mike actually has the chance to reverse some decisions he wishes he’d never made. But maybe they weren’t so bad after all.
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