THE KIDS MENU is a feature documentary from the team that brought you “Fat, Sick and Nearly Dead.” As filmmaker Joe Cross spent time traveling the world with his previous two films, he met thousands of people and one issue that came up again and again was what to do about the growing childhood obesity problem. In THE KIDS MENU, Joe meets with experts, parents, teachers and kids, coming to the realization that childhood obesity isn’t the real issue, but rather a symptom of a bigger problem. The lack of knowledge of what healthy foods are. Lack of access to healthy and affordable options. And the influence of negative role models, whether a parent, teacher or even a celebrity. All of this together seems to be a lot to overcome, but when empowered, kids often make the surprising choice of the healthier path.

One man’s soul searching decision on whether or not he should join Facebook sets him off on an epic journey of self-discovery as he weighs the pros and cons of becoming a member of the world’s largest social networking site. Along the way he talks with family, friends, total strangers and even celebrities whose lives have all been touched in one way or another by Facebook. From the long lost high school friend who uses it to stay in touch with classmates, to the pick-up artist who trolls the site to score with women, to the criminal who tracks your every movement to know when to rob your house, the best and the worst of Facebook is on display.

After a lifetime of hiding, Chely Wright becomes the first commercial country music singer to come out as gay, shattering cultural stereotypes within Nashville, per conservative heartland family and, most importantly, within herself. With unprecedented access over a two-year period, including her private video diaries, the film layers Chely’s rise to fame while hiding in the late 90’s with the execution of her coming out plan, culminating in the exciting moment when she steps into the media glare to reveal she is gay. The film shows both the devastation of internalized homophobia and the transformational power of living an authentic life. The film also documents the conflicting responses from Nashville, the heartland and the LGBT community as Chely Wright prepares for an unknown future.

Witnesses and historians retell the events leading up to the capture and or death of some of World War Twoandapos;s most heinous Nazi fugitives.

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Without us noticing, modern life has been taken over. Algorithms run everything from search engines on the internet to satnavs and credit card data security – they even help us travel the world, find love and save lives. Mathematician Professor Marcus du Sautoy demystifies the hidden world of algorithms. By showing us some of the algorithms most essential to our lives, he reveals where these 2,000-year-old problem solvers came from, how they work, what they have achieved and how they are now so advanced they can even programme themselves.

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Bo Burnham is back with a new one-man show full of his patented songs and wordplay, as well as haikus, dramatic readings, blasphemy, and so much more in his first hour-long special, shot live in his home town of Boston.

A Canadian craftsman and an American designer with a father and son generation gap collaborate to revive the ancient Japanese woodcut using pop-culture icons: Mario and Pokémon.

It’s Not Over tells the inspiring story of three courageous millennials who are living with or affected by HIV/AIDS.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.

The Coming War on China is John Pilger’s 60th film for ITV. Pilger reveals what the news doesn’t – that the United States and the world’s second economic power, China (both nuclear armed) are on the road to war. Pilger’s film is a warning and an inspiring story of resistance.

Starting as a passion project, this movie launched the team on an unexpected journey; from discovering the historic past in Ralph Baer’s personal workshop, to capturing the present as the Smithsonian Museum recognizes gaming as art. Along the way, the crew encountered an interesting cast of characters including game developers, high score players, and arcade enthusiasts.

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This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.

Documentary about the work of Claude Lorius, who began studying Antarctic ice in 1957, and, in 1965, was the first scientist to be concerned about global warming.

Examining the violent death of the filmmaker’s brother and the judicial system that allowed his killer to go free, this documentary interrogates murderous fear and racialized perception, and re-imagines the wreckage in catastrophe’s wake, challenging us to change.

In 1994, Sarajevo was a city under siege. Mortars and rocket propelled grenades rained onto the city, killing indiscriminately, every day. Amongst the madness, two United Nations personnel: a British military officer and another Brit working for the UN Fire Department, decided it would be fun to persuade a global rock star, Bruce Dickinson of Iron Maiden, to come and play a gig to the population. Scream for Me Sarajevo brings that story, in all its madness, to the big screen. A story of musicians who risked their lives to play a gig to people who risked their lives to live them.

Exploring provocative viewpoints from engineers, factory workers, journalists, philosophers and Asimov himself, The Truth About Killer Robots is a cautionary tale about a world automating beyond control.

An in depth look at the world of Parrot Heads, the loyal fan base of Jimmy Buffett.

Four female climbers face the sporting challenge of a lifetime as they attempt to compete in the first ever Olympic climbing competition at the Tokyo 2020 Olympics. The Wall: Climb for Gold follows four elite climbers, Janja Garnbret, Shauna Coxsey, Brooke Raboutou, and Miho Nonaka, over an extraordinary two years. They battle through Olympic qualifying events to earn their place at Tokyo, then face a gruelling season of competition and training that sees everything put on hold when the Covid-19 pandemic forces the Games to be postponed. As the young women confront their own mental and physical demons en-route to Tokyo, the film reveals an astonishing and inspiring insight into what it takes to be an Olympian and ultimately what it means to be human.

The Linguists is a hilarious and poignant chronicle of two scientists—David Harrison and Gregory Anderson—racing to document languages on the verge of extinction. In Siberia, India, and Bolivia, the linguists confront head-on the very forces silencing languages: racism, humiliation, and violent economic unrest. David and Greg’s journey takes them deep into the heart of the cultures, knowledge, and communities at risk when a language dies.

Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid