Robot World Domination is a documentary film on the concept and realization of how these robots have advanced though out the years .And how they have been engineered to be used as humans in some cases to bring us comfort and companionship . Some believe they can also be our destruction in years to come and wipe out all human life because of there ability’s and intelligence they one day will believe they are superior to us .
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A close up observation of trees in Autumn, Winter, Spring and Summer, filmed in single stop frame motion on a clockwork Bolex using a 75mm and 25mm macro lens, where alternating pulsations of 24 still frames per second in image time, translate into optical syncopation. Each reel consists of over 3,500 images with mathematically planned sections, improvised cross rhythms, variations in colour, density, tree species and shape, with sequences following the Fibonacci series (Kren’s ‘Golden Section of film’) and countered with staggered 2:3; 4:3 rhythms. Part scored, part random and rough edged echoing the Japanese musical phenomenon. “wind in the trees”…
The film follows Thomas on a quest across America, that ultimately takes him to Morocco for the UN Climate Conference and throughout the Indian subcontinent to ask people of faith the question, “Can compassion grow to include all beings?”
Music for Black Pigeons is the first collaboration between Jørgen Leth and Andreas Koefoed. The film poses existential questions to influential jazz players such as Bill Frisell, Lee Konitz, Midori Takada and many others: How does it feel to play, and what does it mean to listen? What is it like to be a human being and spending your whole life trying to express something through sounds? The characters wake up, rehearse, record, perform and talk about music. In some moments they are on the edge, the edge of existence, constantly challenging themselves. They listen. They devote themselves to finding a space to create a connection to something bigger than themselves. Something that will outlast all of us.
On 27th July 1986, British stadium rock band Queen broke new ground by playing for the first time in Hungary, a country which was still under a communist dictatorship behind the Iron Curtain.
This is by far the most definitive feature documentary of George Michael’s amazing life, told candidly by fellow musicians and other friends who loved and respected him
At a new school Leandro and Jefferson form an instant attachment and soon realize that theirs is no ordinary friendship. But young Jeff has something to tell. If they want to be together there’s one irreversible thing Leandro must deal with. Something that is a part of the package.
We Feed People spotlights renowned chef José Andrés and his nonprofit World Central Kitchen’s incredible mission and evolution over 12 years from being a scrappy group of grassroots volunteers to becoming one of the most highly regarded humanitarian aid organizations in the disaster relief sector.
Mixing rare archival footage and exclusive interviews, this documentary celebrates the legendary Brazilian footballer who personified the beautiful game : Pelé, the only man to win three World Cup titles.
Jenny Slate proves that being brave for love is worth it—even when it comes to pushing out a baby, stalking your therapist, or trusting your partner to not destroy you.
He’s our favorite veterinarian, and now we reveal what makes him so incredible. In this special program, Dr. Jan Pol shares his most intimate and life-changing moments – from his childhood in the Netherlands when the world was at war, to his move to the American midwest, and a love story fit for the movies – this is the story of his incredible life. (Disney+)
Before Bad Brains, the Sex Pistols or even the Ramones, there was Death. Formed in the early ’70s by three teenage brothers from Detroit, Death is credited as being the first black punk band, and the Hackney brothers, David, Bobby, and Dannis, are now considered pioneers in their field. But it wasn’t until recently — when a dusty 1974 demo tape made its way out of Bobby’s attic nearly 30 years after Death’s heyday — that anyone outside a small group of punk enthusiasts had even heard of them.
