Promoting his 2001 jazz covers album ‘Swing When You’re Winning’, English pop rock singer Robbie Williams fronts a 58-piece big band for a live show of crooner standards at the Royal Albert Hall in London on October 10, 2001.
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Against a backdrop of political unrest in Turkey, this biopic charts the life of Anatolian rock singer Cem Karaca, focusing on his revolutionary ideals. Heightened emotions and moments of threat reflect the country’s rising tensions.
Woven from the words, stories, and original melodies of an incredibly diverse cast, ‘Humanité, the beloved community,’ channels the ethos of civil rights in a raw and compassionate bid for global harmony.
A documentary about the history of American dependence on oil.
September 11th 2001, the day America was under siege. Thrust into defense against the deadliest disaster ever faced. The four coordinated attacks by nineteen individuals, driven by religious extremism, claimed the lives of thousands that day, exposing flaws in the defence of the mightiest nation on the globe. The chaos in the skies sent radio communications into meltdown. Follow the key aspects of the nation’s response as the gravity of the situation unfolds before your very eyes. Through official FAA, Airline, Military and NYC Fire Department recordings, as well as archival footage and reenactments, retrace the critical moments that forced American society to change forever. This documentary will expose the frenzied communication that took place over the airwaves as flight attendants, aviation authorities and the president grappled with a nightmare. Join us as we observe and reflect on the darkest day in American history as we recount those moments minute by minute.
For 46 years, Ken Sparks devoted his life, despite the sacrifices it demanded of him, to coach the game of football in such a way that it led players and fans to Jesus and in so doing made the man a legend.
On 5 September 1986, Palestinian terrorists stormed Pan Am Flight 73 as it stalled on the Karachi Airport tarmac. Exploring what happened over the next 16 hours, including the death of 21 passengers, in a day that would change terrorist operations for ever.
In intimate close-ups the camera captures an idyllic scene that seems to belong to a different era.
In Breaking Bread, exotic cuisine and a side of politics are on the menu. Dr. Nof Atamna-Ismaeel – the first Muslim Arab to win Israel’s MasterChef – is on a quest to make a social change through food. And so, she founded the A-sham Arabic Food Festival in Haifa. There, pairs of Arab and Jewish chefs collaborate on mouthwatering dishes like kishek (a Syrian yogurt soup), and qatayef (a dessert typically served during Ramadan), as we savor the taste of hope and discover the food of their region free from political and religious boundaries.
The crew have now set off to finish what as left over from Jackass 2.0, and in this version they have Wee Man use a ‘pee’ gun on themselves, having a mini motor bike fracas in the grocery mall, a sperm test, a portly crew member disguised as King Kong, as well as include three episodes of their hilarious adventures in India.
Two cross-town rival dance teams go head to head for the National Nationals Championship.
100 pounds overweight, loaded up on steroids and suffering from a debilitating autoimmune disease, Joe Cross is at the end of his rope and the end of his hope. In the mirror he saw a 310lb man whose gut was bigger than a beach ball and a path laid out before him that wouldn’t end well— with one foot already in the grave, the other wasn’t far behind. FAT, SICK & NEARLY DEAD is an inspiring film that chronicles Joe’s personal mission to regain his health.
A poetic and atypical nature film about the various inhabitants of an old-growth forest, on the ground, in the air and in the water. There’s no commentary, only the rich, almost palpable sounds of the forest and the magical situations captured by the camera. Although we might sometimes be puzzled as to what’s actually happening a mating ritual or the start of a fight? the lack of explanation leaves space for us to associate freely and simply experience the images. The film offers a close-up view of a wide range of creatures such as the insect that appears out of the melting snow, gradually begins to move and impatiently waits until all its legs are free so it can fly away. The scale of the portraits is sometimes grand and at other times modest, but always filmed with precision, whether in daylight or at night. Time doesn’t seem to matter in this extraordinary piece of slow cinema.