The star of Ken Loach’s MY NAME IS JOE, Mullan proves that his talent isn’t relegated to acting. As a writer/director, he has crafted a supremely entertaining motion picture. ORPHANS tells the grittily realistic, hysterical, and deeply moving tale of a group of siblings who reunite in Glasgow on the eve of their mother’s funeral. The four children mourn their mother’s passing in a variety of ways, some of which are heartfelt and some of which are bizarre. As a potential thunderstorm threatens to damage the city, the situation compounds itself even further.

Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.

When their elderly neighbor suddenly drops dead, a young Brooklyn couple investigates signs of foul play.

A young man tries to get away from his family’s overwhelming power, but when he accidentally kills a local thug, his fate will be intricately linked to his father’s. A woman, who for years has been victim of domestic violence, finds comfort in the arms of her ex-lover. The news of the death of her husband arrives as she was planning his murder. An honest village chief plans to retire but an exceptional event related to his son will pull him into the abyss.

An enigmatic actress (Emmanuelle Seigner) may have a hidden agenda when she auditions for a part in a misogynistic writer’s (Mathieu Amalric) play.

A futuristic film about a crisis near the brink of war after three leaders are kidnapped by a North Korean nuclear submarine in a coup d’état during a summit between the two Koreas and the United States.

In the midst of a divorce, Miriam Besson decides to ask for exclusive custody to her son, in order to protect him from a father that she is accusing of violence. The judge-in-charge of the file grants a shared custody to the father whom it considers abused. Taken as a hostage between his parents, Julien Besson will do everything to prevent the worst from happening.

Different struggles of identity that take place at a cake factory in the outskirts of Denmark show that the best things in life are the ones least expected.

Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster’s growing attraction – forbidden in his neighborhood – for a beautiful black girl.

Bourges documents the daily routine of a typical pharmacy in Vancouver’s Downtown Eastside, where most clients are on a treatment that requires taking daily doses of methadone witnessed by the pharmacist. The architecture of the space is as much a character as the population which passes through it, with borders of glass between the street and the pharmacy and then between the pharmacist and her clients. The tension of the situation and the struggles on both sides of the glass are punctuated with moments of good humour and camaraderie.

When her daughter joins a ballet company, a former dancer is forced to confront her long-ago decision to give up the stage to have a family.

The story of a couple, a spoiled son and a down-to-earth girl, in Osaka in the early Showa era. The film won the prestigious Blue Ribbon awards for best director, best actor (Morishige) and best actress (Awashima), and the Mainichi Concours award for best actor and best screenplay (Yasumi Toshio). It ranked second (after Naruse Mikio’s Ukigumo) on the Kinema Junpō top ten films for the year.