Director Alfonso Cuarón reflects on the childhood memories, period details and creative choices that shaped his Academy Award-winning film ‘ROMA.’
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A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.
New Zealand film archivist Heperi Mita traces the cinematic legacy of his mother and trailblazing Maori filmmaker Merata Mita.
In each U.S. state, stories of monsters living amongst us have been used to scare children and warn sinners away from misbehavior. But which of these bogeymen brings the biggest fright? In the two-hour Tubi special SCARIEST MONSTERS IN AMERICA, we’re counting down the top ten creatures in the country. From a horrifying home invader to a cunning cannibal, we’ll uncover evidence of each larger-than-life beast to determine, once and for all, which monster is the most deserving of state bragging rights.
Journey to the world’s most incredible riding locations with riders worthy of such a venue in MOTO 9, the latest of the world’s most progressive moto video franchise. From the soul-shredder life to the woods to the AMA Championship program, MOTO 9 brings every piece of the dirtbike spectrum to the screen. Combined with top tier cinematography and music to match, it’s core MOTO – the type of stuff that will have viewers running to fire up their bikes.
Emmy award-winning filmmaker Deeyah Khan joins the frontline of the race wars in America, sitting down face-to-face with Neo-Nazis and fascists.
Rummaging through city trash for hours and miles, New York’s gleaners gather and recycle soda cans for a nickel apiece. The stories they tell are full of humor, violence, tragedy, and resilience. As Kirchheimer’s documentary reveals, however, their tireless labor is ignored or scorned, but for the occasional doorman or Good Samaritan who chooses to lend his hand rather than avert his gaze.
Six girls living along the Amazon, Nile, Mississippi, Danube, Ganges, and Yangtze rivers learn about water and sustainability and use their newfound education to protect their communities and homes.
For the members of the comedy troupe Asperger’s Are Us, it’s easier to associate with a faceless audience than with their own families. No matter who the crowd, best friends Noah, New Michael, Jack and Ethan have one simple mantra: “We would much rather the audience appreciate us as comedians than people who have overcome adversity.” In this coming-of-age heartfelt documentary, this band of brothers finds themselves at a crossroad. With real life pulling them apart, they decide to plan one ambitious farewell show before they all go their separate ways. People with Asperger’s don’t deal well with uncertainty, and this is the most uncertain time in their lives.
The documentary filmmakers Marta Dauliute and Viktorija Šiaulyte step into the closed-in collective with as much curiosity as much-needed skepticism. Here, capital is synonymous with the individual’s ability, and innovation is the confounding keyword. At the same time, we get to know those who rent a little “pod” that barely offers space for a bed and desk, raising questions about how the entrepreneurial ideology affects us as people. Good Life reflects on a modern phenomenon, where community has become the product of a company, but which at the same time reminds us of other collectives from a completely different time.
A documentary portrait of poet, novelist, photographer, and composer Gordon Parks on the set of his first film, The Learning Tree – vuosi elämästäni (1969): the first major studio film directed and produced by an African American.