The itinerant farmer and his young son help a heart-of-gold saloon singer search for her estranged husband
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The Collective Evolution III is a powerful documentary that explores a revolutionary shift affecting every aspect of our planet. As the shift hits the fan, people are becoming more aware of the control structures that prevent us from experiencing our full potential. CE3 uses a different level of consciousness and scientific facts to bring clarity about the shift while dispelling myths about our true nature. It offers practical steps that we can implement right now to transition out of survival mode and into our more natural state of peace and co-operation . CE3 includes fascinating interviews with revolutionary speakers and people who are already opting out of the current socioeconomic system. The film examines hidden technologies and exciting alternatives for a bright limitless future.
Welcome to the Grindhouse experience like it was meant to be, killer story lines and themes zig zig across the screen in Grind-O-Vision, a nonstop thrill ride of babes, guns, muscle cars, motorcycle shoot outs, rendezvous with the devil and much more. From “Manhunt” to “Stripper with a Shotgun”, Grindhouse Nightmares is cinema exploitation at its best.
When Roger (a Robin Hood-esque, stray dog) and Belle (an elegant yet spoilt pet cat) are thrown together amidst the chaos of a robot take-over of their home city, they must push all their preconceptions aside in order to survive, as they embark on a high-stakes, action-packed adventure.
Michèle, in her fifties, is homeless and lives at Orly airport where she leads a hard and lonely life. Theo, a mentally handicapped young man, works at the airport and lives with his “Auntie” who has been overprotecting him since he was abandoned by his mother. When Michèle decides to find her son in Lisbon, Theo naively agrees to drive her there, but what she doesn’t know is that he only has a car without a license… They then embark on an adventure on the country roads, making us follow people we don’t look at, on roads we never take.
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