In a City where crime rules supreme, District Attorney Tony Quinn has the scales of justice stacked against him. When a crime boss has Tony blinded by acid, it seems that crime has won for good. But through a miracle of modern science, Tony is given the ability to see in the dark like a bat. Tony Quinn takes the guise of the Black Bat to see to it that crime pays and that the scales of justice are balanced once more.
You May Also Like
Long time inmate Twitch (Kurupt) gets himself transfered to a tougher prison than the re-opened Alcatraz. He claims it’s to be closer to his lady but his real motives are a bit more grandiose. There he crosses paths with Burke (Bill Goldberg) a bulky prisoner who can take care of himself. Twitch, despite being less muscular, is just as mouthy and is pretty much the same. But there is a gang war brewing between the black and hispanic inmates that explodes into a hostile takeover of the prison when the black’s gang leader is shot dead and the finger points at Burke. But the sh!t really hits the fan when the real killer and leader of the hispanics, Cortez (Robert Madrid) takes Twitch’s girlfriend and Burke’s daughter hostage.
A miss-matched couple embark on a frantic search for the Dead Sea Scroll hidden in the ancient city of Petra.
Friends and fledgling entrepreneurs invent a device in their garage which reduces the apparent mass of any object placed inside it, but they discover that it has some highly unexpected capabilities – ones that could enable them to do and to have seemingly anything they want. Taking advantage of this unique opportunity is the first challenge they face. Dealing with the consequences is the next.
Holy Hell is the over-the-top, outrageous, sexually-deviant, blood-drenched story of Father Augustus Bane: a priest pushed too far who begins praying to a revolver and hunting down the gangsters who killed his parishioners. In the vein of recent alternative horror/comedies like “Machete” and “Hobo with a Shotgun”, HOLY HELL is a modern take on 60’s and 70’s B-Movie and Exploitation film tropes. The goal of this feature length movie is to break through every limit set by film, taste and reasonable societal behavior: all with anarchic glee.
It’s 1985 and adventurer, Jonathan Danger, has just crash landed onto an Island 20 miles off the coast of Africa. He’s looking for a temple that may or may not be his ticket to go back in time. Too bad the Soviets got there first. Too bad they want to go back in time to change the events of the Space Race and the Cold War and World War II. Too bad he has a punctured a lung. Too bad he’s been kidnapped by Jungle Jim and his sister Jade Calloway. Too bad he never gives up.
A reality cop show films a police raid on a drug ring that goes awry and results in the massacre of 11 policemen. All of this gets taped by the cameraman who tries to sell the tape to the gangsters and gets killed for his efforts. Meanwhile the film commentator gets pursued by the cops, the gangsters, and some crooked FBI agents. All are after the film which he doesn’t have.
A tense nonstop roller-coaster ride through the distorted mind of Sly Stone, a sadistic and brutal killer who distorts the scriptures to suit his own self serving madness. He’s teamed up with a run-away drifter Annie Parker who bows to his every command… both for love and for fear of her own life. ” I have the Bullets For Jesus ” is Slys motto, and NO ONE is safe from his twisted pulpit.
A young man travels back in time, finding himself entrenched in the Civil War with an army of Frankensteins.
