The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.

A rookie drag queen, reeling from a break-up, escapes to the country, where he finds his grandmother in steep decline yet desperate to avoid the local nursing home.

Oliver Hayes, an aspiring animator whose confidence is at a low point, meets the captivating and impulsive Lily Blush, who encourages him to drop everything and go with her to Northern California in the hopes of fulfilling his fantasy of working for Pixar Animation Studios. As they travel up the coast, Oliver falls deeply in love but upon making certain startling discoveries he must decide if he wants to face reality or stay in dreamworld.

Twenty years after saving a frail sapling from a cutting crew, Molly Logan learns that the bank is foreclosing on her parents’ Christmas tree farm. Can the tree she spared rescue the holiday?

A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

This is a coming-of-age story of friendship, parenting, growing up and finding yourself. A 17-year-old boy’s relationship with his parents is tested as he discovers teenage rebellion and fun in the company of a cool but troubled 19-year-old girl who shakes things up giving him the courage to be true to himself.

A young man, whose only possession is a motorcycle, spends his time riding around the city looking for empty apartments. After finding one, he hangs out for a while, fixing himself something to eat, washing laundry or making small repairs in return. He always tries to leave before the owners get back but in one ostensibly empty mansion he meets the abused wife of a rich man and she escapes with him…

Years of carrying out death row executions have taken a toll on prison warden Bernadine Williams. As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill.

Rich L.A. party brat Tim spins into a cycle of despair after his parents divorce, and trying to fill the void with drugs and trouble only buys him a ticket to an asylum. But with the help of a psychiatrist who has taken an interest in him, will Tim try to pull himself out of the muck of teenage rebellion and ennui?

The destinies of hard-luck lowlifes slowly converge and come crashing down: Jung-man barely gets by working at a sauna and taking care of his sick mother until he finds a bag full of cash in the locker room; Tae-young is in trouble after his girlfriend runs away with the money he borrowed from a loan shark. Soon, a dead body mysteriously turns up; Mi-ran, caught between her husband’s violence and a dead-end job as a bar hostess, she finds a young lover, Jin-tae who offers to kill her husband… And now their dog-eat-dog game starts.

Jenny Marsh is a hard-luck dame who’s just finished five years in the slammer for killing a man. Jenny’s not exactly the murdering type — she did the deed while defending her jailbird lover, Harry, which is probably one reason she’s attracted the attention of her parole officer, Griff Marat. In fact, Griff is so taken with Jenny that he gets her a job caring for his ailing mother, but although Jenny tries to fly right, she’s not yet over Harry.