A curse that is centuries-old. An island full of annoying people. A contaminated prime-minister. A boy full of dreams who can turn this around. But how? A movie full of raps that don’t rhyme, talking dolls and heroic actions.

In the wake of their friends’ marriages and eventual offspring, longtime pals Julie and Jason decide to have a child together without becoming a couple. By becoming “time-share” parents, they reason, they can experience the joys of parenthood without significantly curbing their personal freedom. However, when Julie and Jason both become involved with others, they discover that they secretly harbor romantic feelings for each other.

A woman leaves for a quiet weekend in the country after losing her job and imploding her latest dysfunctional relationship. She rents a country house from an old-fashioned widower who’s struggling to hide his psychopathic tendencies. Soon, two generations collide with terrifying results.

Fifth and final entry in this softcore spoof series follows Bare Wench 1-3 and the greatest hits release Bare Wench: Uncensored (2003), which was nothing but clips from the first three. This finally made its belated DVD debut in 2015 under the new title The Bare Wench Project 5: The Final Insult.

Pressured by a greedy uncle (Brian Cox) and a pile of debt, lovable loser Steve Barker (Knoxville) resorts to an unthinkable, contemptible, just-crazy-enough-to-work scheme. He pretends to be mentally challenged to rig the upcoming Special Olympics and bring home the gold. But when Steve’s fellow competitors get wise to the con, they inspire him to rise to the greatest challenge of all: becoming a better person.

Three sisters try to find a tenant to rent their garden apartment. They later meet George Barrow who’s plotting to turn their apartment into a hedgefunder Disneyland of 50-foot-wide townhouses with spas, movie theaters and in-ground pools.

Dating Daisy is a romantic comedy about the honest and crazy truth of dating in your twenties! The story follows Michael and Daisy, two exes who decide to road trip home together for the holidays and get caught up in their crazy past.

After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, Anna Muylaert turns her eye on the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.

Amy Tyler has planned the perfect surprise vacation for her boyfriend Josh Merit. But the real surprise is on her when he breaks things off on their anniversary. Stuck with reservations in her ex-boyfriend’s name, Amy’s two best friends suggest if Amy can’t change the tickets … why not change the guy?

Previously lost reconceptualization of Bill Cable’s unfinished early 70s epic titled “What is Love,” which deals with themes of romantic obsession and Christian blasphemy.

Aviho, Bezalel and Natty travel to Columbia to free Aviho’s son, Shuli from his kidnappers.

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders