Two veteran New York City detectives work to identify the possible connection between a recent murder and a case they believe they solved years ago; is there a serial killer on the loose, and did they perhaps put the wrong person behind bars?
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A portrait of union leader James R. Hoffa, as seen through the eyes of his friend, Bobby Ciaro. The film follows Hoffa through his countless battles with the RTA and President Roosevelt.
Ms. White Light is the story of Lex Cordova, a young woman who counsels terminally ill clients that have trouble letting go. While proving uniquely talented in her ability to connect with the dying, Lex is at a total loss when it comes to dealing with everyone else. When Valerie, a sharp-tongued free spirit who simply has no time for her own mortality, refuses to play by Lex’s rules, Lex is forced to question her own decisions, and must decide if the business of dying is truly worth it…even at the cost of living her life.
Li Xuelian, a woman from the countryside is falsely accused by her husband of having an affair. To defend herself, Li moves from her small town to the big city until she reached the capital.
Newlywed Molly moves into her deceased father’s house in the countryside, where painful memories soon begin to haunt her.
A group of prisoners, led by an armed robber and a gangster, attempt to escape from the infamous Alcatraz Island.
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A screenwriter who travels to an abandoned house to finish a script on time, but a series of strange events lead her to a psychological breakdown.
Wong Kam-Kwei, a gang boss on the decline, overseeing bathhouses and karaoke bars, falls for a small restaurant owner, Mei. He begins to help her business, and learns that Mei is already in love with Leung, a member of his gang. He’s also like a brother to Kam-Kwei. When a rival gang hoping to steal his territory kills Leung, the only thing left for Kam-Kwei to do now is to protect Mei and avenge Leung.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.