The true story of suburban housewife Gertrude Baniszewski, who kept a teenage girl locked in the basement of her Indiana home during the 1960s.

At school, Roseanne is the object of fellow student Vincent’s infatuation. By night, she deals with a troubled family life: her mother, Maggie, cheats on her drunken husband, Fred. When Maggie’s adultery is revealed, Fred viciously takes his anger out on stepdaughter Roseanne. With the help of her boyfriend, Jimmy, Maggie plots her revenge, but Vincent might be the one to help her forge a new life in this contemporary fable loosely based on Fyodor Dostoyevsky’s “Crime and Punishment”.

In 1943, while the Allies are bombing Berlin and the Gestapo is purging the capital of Jews, a dangerous love affair blossoms between two women – one a Jewish member of the underground, the other an exemplar of Nazi motherhood.

A barber has a skirmish with a gangster on the road, and this encounter results in him running all over the city to save himself.

Carrie Bishop (Booth) lives for her successful career as an event planner in New York City, but her life changes in an instant after a nasty car accident in a snowstorm. Carrie suffers head trauma and regains consciousness in Central Park with an older man, Henry (Derek McGrath, “Little Mosque on the Prairie”). Henry is Carrie’s spirit guide and is there to help her “pass over” to Heaven. But before Carrie can move on, she must fulfill one last task on Earth – a type of Angel Duty. Henry tells Carrie that she must help guide a widowed, young restaurant owner, Scott Walker, (McGillion) who has recently considered suicide because his beloved restaurant/catering business is utterly failing. Carrie befriends Scott and his 8-year-old daughter and immediately displays a knack for promoting the restaurant. But time isn’t on Carrie’s side on this mission. She has until midnight Christmas Eve to turn the eatery around…

A widowed reporter recruits the help of a federal agent to investigate her late husband’s secrets, but the two become the target of unknown attackers. When FBI Agent John Nelson’s key informant, Miles, is abducted and shot, all that’s left is a severed finger. In order to find a new lead, Nelson travels to New York City to inform widowed magazine reporter Rebecca Scott that her long dead husband, Miles, had only recently been murdered to see if she had heard from him in recent years. Perplexed, Scott joins Agent Nelson in the wealthy enclave of Australia’s Gold Coast to find out what really happened. The two soon discover Miles may have been part of an elaborate “Ponzi scheme” to bilk investors, and a vengeful billionaire, out of millions of dollars. As more layers of Miles’ secret life are exposed, can the two stay ahead of the mysterious attackers who will stop at nothing to halt their investigation?

Viktor Navorski is a man without a country; his plane took off just as a coup d’etat exploded in his homeland, leaving it in shambles, and now he’s stranded at Kennedy Airport, where he’s holding a passport that nobody recognizes. While quarantined in the transit lounge until authorities can figure out what to do with him, Viktor simply goes on living – and courts romance with a beautiful flight attendant.

Officer Lacy is an 18-year veteran of the New York Police Department who finds himself demoted from detective back to patrol duty for his violent tendencies and trigger-happy behavior.

The Judge (Mait Malmsten) is a man who represents strict rules and laws in the courtroom. However, his own personal life is an absolute mess. After the judge makes a decision to give a long prison sentence to a woman, the woman’s brother (Märt Avandi) starts following the judge to change his mind about the verdict. The judge stays adamant. The verdict is final. A conflict takes place between the men, resulting in the judge suddenly becoming a criminal himself. Unable to confess his crime, the judge escapes to Finland, where a series of comedic twists and turns lead him to a number of strange people and comical situations. However, the shadows of his dark deeds keep haunting him. To leave his dark crime behind and to fix his earlier decisions, the judge returns home.

Twenty-year-old Ryan struggles with a debilitating anxiety disorder following his father’s death. Together with his two brothers, he must fight to break the destructive cycle threatening their family as ancient darkness closes in on them.

One hot afternoon in the south of France, several paths are converging towards a tragic conclusion. Those involved are: Stéphane and Luigi, two cousins who have just emerged from adolescence; Georges, a retired old man; Amélie, Luigi’s girlfriend; and Amélie’s mother Anne. Little do they know how their lives, scarred by fear, humiliation and weariness, will become intertwined and propel them to a terrible outcome…

Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.