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After a chance encounter, Anna and Owen are forced to quarantine for twenty-eight days.
Dull and plain Catherine (Olivia de Havilland) lives with her emotionally distant father, Dr. Sloper (Ralph Richardson), in 1840s New York. Her days are empty — filled with little more than needlepoint. Enter handsome Morris Townsend (Montgomery Clift), a dashing social climber with his eye on the spinster’s heart and substantial inheritance. William Wyler’s Oscar-winning film is an adaptation of the Henry James novel Washington Square.
A Los Angeles District Attorney (Gene Hackman) is attempting to take an unwilling murder witness (Anne Archer) back to the United States from Canada to testify against a top-level mob boss. Frantically attempting to escape two deadly hit men sent to silence her, they board a Vancouver-bound train only to find the killers are on board with them. For the next 20 hours, as the train hurls through the beautiful but isolated Canadian wilderness, a deadly game of cat and mouse ensues in which their ability to tell friend from foe is a matter of life and death.
Poppy Summerall is hired near Halloween as a temporary nanny by Ryan Lawson, a widowed, work-obsessed executive. Through a series of adventures, the eternally optimistic Poppy sets out to teach Ryan and his two young children what is important in life – unconditional love, family and the joy of everyday occurrences. Poppy and Ryan soon find they are drawn to each other. Could it become more than temporary?
More of a film essay – of the type pioneered by Orson Welles and Chris Marker – than a standard documentary, German filmmaker Lutz Dammbeck’s The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo’s Nest author Ken Kesey and his Merry Pranksters.
A tragic accident lead to Kaori’s blindness, but she clings to life and the smaller pleasures it can still afford her. She meets Rui and begins to talk to him. Rui was once a promising kickboxer, but something happened in his past. Kaori’s smile brings out a change in Rui. However, the two are connected in more than one way. Rui attempts to do what is right.
Bumbling Ernest P. Worrell is assigned to jury duty, where a crooked lawyer notices a resemblance with crime boss Mr. Nash, and arranges a switch. Nash assumes Ernest’s job as a bank employee, while Ernest undergoes Nash’s sentence to the electric chair. But instead of killing him, the electrocution gives Ernest superhuman powers, enabling him to escape from jail and foil Nash’s attempt to rob the bank.
Parallels are drawn between Abraham Lincoln’s presidency and the presidency of Donald Trump.
This documentary takes a game-by-game deep dive into the history and evolution of a genre that has grown from the simple wireframe graphics of Maze War and Spasim to become a staple of popular culture that is enjoyed by millions of gamers worldwide. Explore the creation and legacy of the most popular and significant FPS titles from the last 48 years, including favorites such as Wolfenstein 3D, Doom, Quake, GoldenEye, Half-Life, Unreal Tournament, Deus Ex, Halo… and many more.
Sir Tony Robinson takes a journey back in time to find out where Blackadder really began, and to uncover the story of the previously-unseen pilot episode.
On Halloween, an all girl rock-n-roll band called “Kill Pussy Kill” ventures out to play their biggest show to date. However, before hitting the road they manage to unwittingly upset a man. Unfortunately, this man turns out to be an evil genius dead set on revenge. The evil genius manages to lure the girls into his Hell House and when they wake up from being gassed, they find themselves trapped inside an inescapable room filled with a vicious variety of devices that can kill them as well as a variety of weapons that can be used on each other. The rules are simple: advance through all three rooms and you are allowed to go free. The catch is, in order to make it to the next room, someone must die!
