6 years after a group of friends went missing on a trip to a cabin in the woods, Kara, the younger sister of Aeron, is still determined to find out what happened to her older sister. After hearing the news of the investigating detective’s retirement, Kara becomes more determined than even to take things into her own hands. With the help of another missing cabin members sibling, they set off a chain of events that gives them exactly what they asked for; the return of the Slasher Nurse. Be careful what you ask for.
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When a party bus on its way to Burning Man filled with a bunch of sexy young adults breaks down in the desert and in the middle of a group of Satanic worshippers, all hell literally breaks loose. A massacre leaves seven survivors trapped on the bus, fighting for their lives while wondering if someone or someones are not what they seem.
While struggling on a solo backpacking trip in Thailand, social media influencer Madison meets CW, who travels with ease and shows her a more uninhibited way of living. But CW’s interest in her takes a darker turn.
A contemporary who-dunnit, with a splash of supernatural, set in a college campus somewhere in India (a la Indian Institute Of Technology) where a few mysterious deaths occur and the only common link between the victims is that, seconds before their deaths, they all accepted a ‘facebook friend request’ from a certain profile page of Mona_Darling. The person behind the said page, Mona happens to be missing. Her friend, and a fellow student, Sarah recruits the help of a classmate, Wiki – a borderline sociopathic genius. This odd-couple of amateur sleuths carry on their investigation as the story leads them into unexpected corners and terrifying revelations. It’s a pacy thriller, confined to limited locations on one single campus, populated by fresh, sexy, young characters that can be executed on a fairly shoestring budget. More importantly it captures the present zeitgeist of young India and its obsession with social networking.
SCARS is a psychological thriller, written and directed by Canadian filmmaker Sean K. Robb. In this stark and disturbing story, Scar – a raven-haired punk with blood under her fingernails – and Scarlett – a blond beauty with a penchant for extortion – discover that they enjoy killing men together. ‘Killing dudes is easy,’ says Scar, as the two women embark on a violent and ruthless killing spree, pursued by the mysterious Det. Mike.
The villains from the popular animated Disney films are gathered at the House of Mouse with plans to take over. Soon, the villains take over the house and kick out Mickey, Donald and Goofy. It’s all up to Mickey and his friends to overthrow evil and return the House of Mouse to normal–or as close to normal as it get’s.
Stitch follows the story of grieving parents as they cope with the loss of their young daughter. At the height of their desperation, they turn to their best friends for healing advice, who lead them into the deep desert for a weekend ritual meant to burn away emotional baggage. Unfortunately the amateur ritual goes awry, and cosmic forces are unleashed, revealing something sinister ravaging each person with a progression of gruesome, medieval surgical scars. As the stitches rip skin and tear apart relationships, a battle for survival ensues, forcing the couples to come to terms with loss, betrayal, love, and hope.
The Bride Who Has Returned From Hell (or Bride in Hell) is an adaption of The Mistress from Melynn, a 1960 novel by Victoria Holt. The story begins when a yacht is lost at sea. Then a telephone call between male protagonist Wang Yiming (Ke Junxiong) and his cousin Gao Fengjiao (Liu Qing) reveals that Wang’s wife has perished while eloping with a neighbor. After female protagonist Bai Ruimei (Jin Mei) learns that her older sister Ruiyun – Wang’s wife – has died, Ruimei changes her identity and applies for a job as a tutor to Wang’s daughter Shuyuan in a bid to solve the mysteries surrounding her sister’s death.
Anthology suspense / horror film with the creepy caretaker of a cemetery introducing some of its occupants and how each was murdered. Segments include “Made for Each Other,” “Art Lover,” “Whodunit to Whom” and “Avid Readers.”