If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.

In Venice, the millionaire benefactor Cecil Fox watches a Seventeenth Century play ‘Volpone’ and plots a practical joke to play on his three former greedy mistresses. He hires the unemployed actor William McFly to act as his butler and stage manager and sends letters telling the mistresses he is terminally ill. The prime intention of Rex is to see the reaction of the women after the reading of his will but things do not go as planned.

A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

Wanting to escape city life for the countryside, New Yorkers Cooper Tilson (Quaid), his wife Leah (Stone) and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owner (Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate’s dark and lurid past

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When this year’s round of unsuspecting Northerners fail to show up for their annual Guts N’ Glory Jamboree, the residents of Pleasant Valley take their cannibalistic carnival on the road and head to Iowa where they encounter spoiled heiresses Rome & Tina Sheraton and the cast and crew of their “Road Rascals” reality show. Performing “The Bloodiest Show on Earth”, our Southern Maniacs prove more than ratings killers in what John Landis has called “one of the rare sequels that surpasses the original”.

Skateboarder named Orpheus and friends go to Hell to stop television signals that are brainwashing America.

“After Betsy Simon’s book “Heavens to Betsy” becomes a bestseller, she must defend her faith when she agrees to do an interview with a self-serving media personality at the risk of destroying her credibility and career”.

Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.

A psychological horror about a young woman coping with an unwanted pregnancy after moving into a seemingly haunted house.

A TV talk-show hostess and her boyfriend investigate a shady magician whom has the ability to hypnotize and control the thoughts of people in order to stage gory on-stage illusions using his powers of mind bending.

After a long period of bad luck, small-time criminal Tony and his gang successfully rob one of Brink’s security transports, netting $30,000. Surprisingly, their robbery doesn’t make the press. Curious, Tony then checks out Brinks’ headquarters and discovers their security standards are unbelievably lax.