A television movie set in Rockville, Georgia, in 1972. Major Kendall Laird, a Survival Assistance Officer, arrives in this sleepy little town with the body of Lieutenant Dwyte Johnson, a Vietnam war hero. It’s Laird’s job to help Johnson’s parents bury their son. But since the dead hero was black, his parents are turned away by the white racists who maintain the town’s “all-white” cemetery.
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A war veteran suffering from amnesia, returns to Los Angeles from a San Francisco veterans hospital hoping to learn who he is and discovers his criminal past.
Saddened about spending another Christmas alone, Ali meets Ginny, a quirky and spunky woman, at a diner on Christmas Eve. Ali tells Ginny that she was to be married on New Year’s Eve last year, but over the course of the holidays she and her fiancé unexpectedly split. When Ali explains that she would do everything differently if she could go back in time, Ginny tells her that “sometimes people do get second chances.” The following morning, Ali wakes up to find herself transported back to that Christmas before her planned wedding. While she sets out to avoid the mistakes of her past, she learns that changing the course of history is no easy task.
20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
In a quiet corner of Seoul, Jung-won runs a small photo studio. A humble shack passed down from his widower father, the studio is a space where Jung-won goes about his daily routine of dealing with fussy customers, enlarging photos of class heartthrobs for the neighborhood kids and photographing pictures to place on funeral altars. For Jung-won, life seems to be a series of peaceful events, but in reality his time on earth is too limited for comfort. Barely in his mid-30’s, but perhaps too aware of the meaning of death, Jung-won accepts his fate despite the subtle gestures of concern he gets from his old father and younger sister. Life goes on as usual until one day he meets Darim, an employee at the Traffic Control Division of the local district office. She is a regular customer at the studio who comes everyday to develop snapshots of parking violations…
Nikki Glaser dives into why she doesn’t want kids, the harsh realities of aging, her sexual fantasies, and plans for her death — all in her hilarious, unapologetic, and brutally honest style and showcases why she is one of the funniest and most fearless comedians today.
Professor James Murray begins work compiling words for the first edition of the Oxford English Dictionary in the mid 19th century and receives over 10,000 entries from a patient at Broadmoor Criminal Lunatic Asylum , Dr William Minor.
The only time Maria feels liberated is when she is playing the organ. Bach’s music is something you feel in your gut. At home she bears the brunt of responsibility – both for her rebellious sister Hannah, two years her junior, who is busy planning her escape from the village, and for her father, Johann.
Rabb Da Radio is a family movie that revolves around family problems, love, hate and much more. The story of the movie, Rabb Da Radio will take you to Punjab during the 80s and 90s. It shows the relationship between Naseeb and Guddi, who are cousins. But this relationship changes when a rich boy falls in love with Guddi and ask for the help from Naseeb to marry Guddi. And when Naseeb refuses, then the boy takes help from his aunt and fix his marriage with Guddi. But when Naseeb’s mother-in-law came to know all this, then she throws Naseeb out of the house that leads to Guddi’s relationship with Naseeb and his marriage. At the end, Rabb Da Radio story will reveal that whether Naseeb will able to sort things out with her mother-in-law?
The story follows 19-year-old Renee who has always loved fairy tales: the idea of a princess, a hero and a happily ever after. But Renee’s life is that of a darker tale: she’s a young woman battling addiction, depression and self-injury. In a creative blend of artistic fantasy balanced with harsh reality, the movie follows Renee on her courageous journey towards recovery.
In this variation on director Vadim’s own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.
