Ian Hislop’s sharp, provocative take on 200 years of fake news and its consequences – from Victorians on the moon to 21st-century deepfake, and Hislop as never seen before.

New York in the 1920s. Max Perkins, literary editor at Scribner’s Sons is the first to sign such subsequent literary greats as Ernest Hemingway and F. Scott Fitzgerald. When a sprawling, chaotic 1,000-page manuscript by an unknown writer named Thomas Wolfe falls into his hands, Perkins is convinced he has discovered a literary genius. Together the two men set out to work on a version for publication and a seemingly endless struggle over every single phrase ensues. During this process, Perkins the gentle family man and Wolfe the eccentric author become close – a relationship eyed with suspicion by their wives. When ‘Look Homeward, Angel’ becomes a resounding success, the writer grows increasingly paranoid.

Tracing the history of blue jeans around the globe.

Joe Cross took viewers on his journey from overweight and sick to healthy and fit via a 60-day juice fast in the award-winning Fat Sick and Nearly Dead. With Fat, Sick & Nearly Dead 2, he looks at keeping healthy habits long-term.

The passage of time is spellbinding in this cinematic tour de force about the Wadden Sea. A film that inhales and exhales along with the tides as it explores the fragile relationship between man and nature.

Ming of Harlem: Twenty One Storeys in the Air is an only-in-New-York account of Ming, Al, and Antoine Yates, who cohabited in a high-rise social housing apartment at Drew-Hamilton complex in Harlem for several years until 2003, when news of their dwelling caused a public outcry and collective outpouring of disbelief. On the discovery that Ming was a 500-pound pound Tiger and Al a seven-foot alligator, their story took on an astonishing dimension. The film frames Yates’s recollections with a poetic study of Ming and Al, the predators’ presence combined with a text by philosopher Jean-Luc Nancy, reimagining the circumstances of the wild inside, animal names, strange territories, and human-animal relations.

Six actors portray six personas of music legend Bob Dylan in scenes depicting various stages of his life, chronicling his rise from unknown folksinger to international icon and revealing how Dylan constantly reinvented himself.

A documentary focused on Orson Welles’ fifteen years spent trying to finish his final film, The Other Side of the Wind.

Photographer Estevan Oriol and artist Mister Cartoon turned their Chicano roots into gritty art, impacting street culture, hip hop and beyond.

One of the greatest comebacks of all time in sports. Kyle Busch is the most polarizing driver of the contemporary NASCAR series. Unmatched talent and singular determination to win at everything, Busch confronts his physical limits when he sustains what could be a career ending wreck in 2015 only to find a path to the first of what will undoubtedly be many Cup Series Championships.

Who was Joe D’Amato aka. Aristide Massaccesi? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

Hysterical is an honest and hilarious backstage pass into the lives of some of stand-up comedy’s most boundary-breaking women, exploring the hard-fought journey to become the voices of their generation and their gender.