A visit to the employment office, practicing dance steps, making music with friends: several women’s everyday lives are captured in long shots and with a superb sense of place. A film like a summer’s day, bright, friendly, with the occasional chill.
You May Also Like
When Ivan’s old college roommate comes to visit him in Colombia, he brings his brother and a whole lot of romantic complications.
Kate is an out of work actress working in a shop, until that is, she is made redundant. In a week from hell Kate’s boyfriend leaves her, the shop goes bust and rent and gas bills have not been paid. Inspired by the notorious outlaw Bonnie Parker, Kate gathers a gang from her shop assistant friends and comes up with a plot to rob the shop, but who is her Clyde?
Maggie has had four children, by four different fathers, removed by social services because of a previous violent relationship. When she meets Jorge, a gentle Latin American refugee, she gradually sees her chance for happiness, but her history still haunts her.
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family’s houseboy.
Lead postal detective Oliver (Eric Mabius) and his associate Shane (Kristin Booth) have been doing a figurative dance with each other, swaying back and forth with the possibility of a relationship. Finally, on their first date at a romantic supper club, Shane begins wondering if it’s a date or not, as she sees the contrast of their relationship next to the extraordinary dance performances of a couple who express the longing of her heart. As Norman (Geoff Gustafson) and Rita (Crystal Lowe) work alongside each other, their personal relationship hits a bump in the road.
The film stars Oguri Shun as an experienced mountain climber and rescue team volunteer named Shimazaki Sanpo. Sanpo loves the mountains and wants as many people as possible to experience everything they have to offer—so much so that he never holds a grudge against anyone for causing an accident due to their own negligence. Even if a fellow rescuer dies, he’s the kind of man who can look toward the corpse and say “You did your best.” One spring, newcomer Shiina Kumi (Nagasawa Masami) is assigned to the Nagano prefecture mountain rescue team where she experiences growth thanks to Sanpo’s guidance and the seemingly harsh training methods of the team’s captain, Noda (Sasaki Kuranosuke). However, she becomes depressed when she’s unable to translate her skills to a real-life situation. As her confidence wanes, multiple accidents occur simultaneously due to a mountain blizzard, forcing the entire team into action.
In a crime-noir about the urban child-soldier, Akilla Brown captures a fifteen-year-old Jamaican boy in the aftermath of an armed robbery. Over one gruelling night, Akilla confronts a cycle of generational violence he thought he escaped.
“Frida” chronicles the life Frida Kahlo shared unflinchingly and openly with Diego Rivera, as the young couple took the art world by storm. From her complex and enduring relationship with her mentor and husband to her illicit and controversial affair with Leon Trotsky, to her provocative and romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic, and sexual revolutionary
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.