Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

Starting in 1881 this film shows the personal battle between Lenin’s Ulyanov family and the royal Romanovs that eventually led to the Russian revolution.

Thomas Cromwell has gone down in history as one of the most corrupt and manipulative ruffians ever to hold power in England. A chief minister who used his position to smash the Roman Catholic church in England and loot the monasteries for his own gain. A man who used torture to bring about the execution of the woman who had once been his friend and supporter – Anne Boleyn. Diarmaid MacCulloch, professor of the history of the church at Oxford University, reveals a very different image of Cromwell. He describes Cromwell as an evangelical reformer, determined to break the hierarchy of the Roman Catholic church and introduce the people of England to a new type of Christianity in which each individual makes direct contact with God.

Keith Haring, Robert Mapplethorpe, Norman René, Peter Hujar, Ethyl Eichelberger, Felix Gonzalez-Torres, Cookie Mueller, Klaus Nomi… the list of New York artists who died of AIDS over the last 30 years is countless, and the loss immeasurable. In Last Address, filmmaker Ira Sachs, who first moved to the city himself in 1984, uses images of the exteriors of the houses, apartment buildings, and lofts where these and others were living at the time of their deaths to mark the disappearance of a generation. The elegaic film is both a remembrance of that loss, as well as an evocation of the continued presence of their work in our lives and culture.

A traveling trader provides a window into rural life in the Republic of Georgia, where potatoes are currency and ambition is crushed by poverty.

This documentary delves into Joran van der Sloot’s lifelong pattern of violence and pathological lying through rare interviews and new insights years after he brutally murdered American Natalee Holloway and Peruvian Stephany Flores.

What happens if a single woman is obliged to bring up a baby without a father in a “modern” city of a conservative country? This autobiographical documentary thoroughly researches social roles of women and intellectualizes social inequality while searching for answers to this question.

On the eve of 1987’s Second National March on Washington for Lesbian and Gay Rights, surviving families and friends of people who have died of AIDS prepare panels to be added to a large-scale memorial quilt project. Drawing from the sea of names memorialized, director Robert Epstein focuses on the lives of six people. Alongside the intimate profiles offered, through news footage and interviews, Epstein puts the AIDS crisis in the larger context of social and government response to the disease.

Through key testimonies, this documentary looks at a gang rape that took place during the 2016 San Fermín festival and sparked protests worldwide.

Professional snowboarder and mountaineer Jeremy Jones has an intimate relationship with the outdoors. It’s his escape, his identity, and his legacy. But over the course of his 45 years in the mountains, he’s seen many things change: more extreme weather, fewer snow days, and economic strain on mountain towns. Motivated by an urge to protect the places he loves, Jeremy sets out on a physical and philosophical journey to find common ground with fellow outdoor people across diverse political backgrounds. He learns their hopes and fears while walking a mile in their shoes on the mountain and in the snow. With intimacy and emotion set against breathtaking backdrops, Purple Mountains navigates America’s divide with a refreshing perspective: even though we may disagree about climate policy, our shared values can unite us

In this austere and sorrowful portrait of his hometown, St. Louis, Harris sets his black-and-white 16mm camera loose to wander through the city’s decaying northside neighborhoods, an area populated almost exclusively by working class and working poor African Americans. Gliding down empty streets, across the facades of once-elegant homes, entering condemned buildings, the camera makes a detached but ultimately damning portrait of civic neglect and apathy. Poignantly, human beings are rarely encountered; their presence haunts the soundtrack of eerie footsteps, an unanswered telephone, and sparse voiceover commentary from found sources.

The feature-length documentary based on the life of former AFL star and passionate advocate for Indigenous causes, Adam Goodes.