A young drifter, struggling to makes ends meet, accepts a job to kill a prominent accountant. When he isn’t paid for the hit, revenge is now his path.

As the Swedish town of Kiruna sinks, Frigga finds herself torn between her family and her job as security chief at the world’s largest underground mine.

Ben’s dad Sam shows up one night with a note from Ben’s mother (Sam’s wife of 46 years), that she has left. While Ben’s wife and his three sisters try to find her, Ben takes Sam on a day trip to see a farmhouse that’s for sale. The day trip turns into a road trip while dad and son explore their past, their relationship, and why Sam’s wife might have left him. The road trip includes fishing, drinking, playing pool, sleeping under the stars, and frank discussion. Anger simmers close at hand, as do love and hope. Where Sam’s wife is – and why she left – leads to the movie’s resolution.

Based on the best selling manga, Haruna Nagashima (Ito Ono) devoted herself to softball while in middle school. Now that she is in high school, Haruna believes its time find a boyfriend. Unfortunately for Haruna, she didn’t pay attention to trends and is now clueless on how to attract a boy. Through a fortuitous event, Haruna encounters popular upperclassman You Komiyama (Junpei Mizobata) Haruna asks You to teach her how to become attractive to boys. You agrees but with one catch. She can’t fall in love with him …

Paris-based wine expert Steven Spurrier heads to California in search of cheap wine that he can use for a blind taste test in the French capital. Stumbling upon the Napa Valley, the stuck-up Englishman is shocked to discover a winery turning out top-notch chardonnay. Determined to make a name for himself, he sets about getting the booze back to Paris.

Zeynep, Tülin Özen works in a hotel as a housekeeper. But she suffers hell on earth because of her father’s behavior. She only talks to Mustafa, ‘Engin Dogan’ who works in the same hotel and he is interested in Zeynep. She is not interested in Mustafa who is younger than Zeynep, but she is not indifferent to him. While Zeynep is trying to make a bonfire of bad situation, Selçuk, Budak Akalin who lives on the other side of city is a voice technician. He feels guilty after his wife’s death. The suitcase which has his wife’s dresses changes the Zeynep’s destiny.

1920, rural Ireland. Anglo-Irish twins Rachel and Edward share a strange existence in their crumbling family estate. Each night, the property becomes the domain of a sinister presence (The Lodgers) which enforces three rules upon the twins: they must be in bed by midnight; they may not permit an outsider past the threshold; and if one attempts to escape, the life of the other is placed in jeopardy. When troubled war veteran Sean returns to the nearby village, he is immediately drawn to the mysterious Rachel, who in turn begins to break the rules set out by The Lodgers. The consequences pull Rachel into a deadly confrontation with her brother – and with the curse that haunts them.

“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens

A man’s (Hugh Laurie) affair with his friend’s much-younger daughter (Leighton Meester) throws two neighboring families into turmoil.

A young country girl comes to town and works in a brothel in order to help her fiance get the money to start his own business. “Paprika” is the name given to her by the madam.

Nicoline, an experienced psychologist, starts a new job at a penal institution. She meets Idris, a sex offender who committed a series of grave crimes. After five years of treatment, he is about to go on his first unaccompanied probation. His team of practitioners are enthusiastic about his development but newcomer Nicoline does not trust him and tries to push his probation. Idris tries his hardest to convince Nicoline of his good intentions, but slowly but surely, he transforms into the manipulative man she saw in him from the beginning. A power play emerges between the two and Nicoline, in spite of her knowledge and experience, lets herself be trapped completely.

A Jewish pawnbroker, a victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.